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WRIT PETITION FILED IN LAHORE HIGH COURT TO RESTORE JAIN MANDIR IN LAHORE AND OTHER MINORITY WORSHIPING PLACES THROUGHOUT PAKISTAN
On 20th May 2014 a Writ Petn SYYED MOHUMMED JAWAID IQBAL JAFREE OF SLARPORE versus STATE through CHIEF SECRETARY , GOVT OF PUNJAB AND OTHERS (INCLUDING PUBLIC AT LARGE) was filed at Lahore High Court .. Writ Petition 13953 of 2014.
It was Preliminarily heard by MR JUSTICE Mansoor Ali Shah.
HE ORDERED THAT NOTICES ISSUE TO RESPONDENTS , AND THE cHIEF secretary (HIMSELF NOT A JOINT SECRETARY OR SECTIONN OFFICER) HEAR JAFREE PERSONALLY ON 26TH MAY Monday AND PASS A SPEAKING ORDER WITHIN ONE MONTH.. THE WRIT WOULD BE HEARD FURTHER ON 26TH June.
Saira A Nizami
The Old City, or the Walled City of Lahore is in the northwestern part of Lahore, Punjab. The visitor is given access to the city by 13 gates, few of them being Bhati Gate, Lahori Gate and Roshnai Gate.
As he visits the Walled City, Razi Rumi shares these rich moments and his thoughts while walking through streets of Lahore:
Lahore’s heritage: Inside the Faqir Khana Museum, Bhatti Gate. Some of the carpets are from the Emperor Shah Jahan’s era.
Imagine living in a room with such amazing frescos – A hidden corner of Haveli Naunehal Singh, walled city of Lahore.
Wouldn’t you love to have balcony like this? Spotted in walled city Lahore.
Met this young girl in walled city Lahore last week.
Unfortunate graffiti on one of the 17th century walls of Lahore fort. However there is a guy out there who loves US.
Twinkle Scholar (private) school has great advertising. Also shows what is valued as success.
Clever combination of modern and traditional education: Madrassa Safeena-tul Quran.
Ready for artwork? Look again, these are walled city Lahore’s colorful spices
A hidden jewel in the densely populated walled city of #Lahore. Haveli Nonehal Singh, Victoria School since 150 years.
When I was procuring old plates, saw this too. The guy got the sign made and only 22 years later had to leave Lahore.
By Shahzada Irfan Ahmed
Picture this. You enter the Walled City from Delhi Gate and find yourself in a ‘unique’ setting — one you are completely unfamiliar with. The Mughal era buildings you see on both sides of the road wear a majestic look. The ambience, the architecture, the colour scheme, the sweetness of the music on play and the artistic illumination of these buildings are stunning, to say the least.
The streets are clean and there are shops, courtyards and pavements where traditional food and drinks as well as crafts are on offer.
You may also find small inns where you can sit back with your friends and enjoy a sip of indigenous ‘qahwa.’ A few steps away, you are likely to come across a place where you can see well-built men wrestling with each other in an earthen pit.
The biggest relief, perhaps, would be the absence of motorized vehicles and the noise and smoke that is generated thereof.
There are parts of the Walled City where the pedestrians can tread without fear of being crushed by a fast moving vehicle. For once, vehicles of all sorts are barred from entering the areas making them navigable on foot.
All this may seem like a fairy tale but, in fact, it is not. Fortunately, for the people of Lahore in particular and Pakistan in general, an ongoing project promises all this and much more. Called ‘Sustainable Development of Walled City Lahore Project,’ it was launched in 2006 by the Punjab government in conjunction with the World Bank. The budget estimate for phase one is Rs70 crore, which will be shared equally by both the partners.
The Aga Khan Trust for Culture agreed to provide technical expertise and carry out surveys that cover topography, water quality, socio-economic conditions, geographical information system (GIS) etc of the Walled City.
Initially, it was a project but later, in 2010, a body called the Walled City of Lahore Authority (WCLA) was set up under an Act by the Punjab Assembly. The main purpose of the move was to help sustain the restoration work irrespective of which party is in power.
The project suffered some delays in the past due to various reasons including shortage of funds, non-cooperation of locals, resistance by commercial interests etc. For long there was a feeling that the project will not go on as planned and may be abandoned altogether. However, some recent developments have infused hope among those involved directly or indirectly with the project.
One such development is the association of prominent bureaucrat Kamran Lashari with the project as director general of the WCLA. Having a significant track record of successfully carrying out heritage/conservation projects, many believe he is the best person to complete the task.
The project is of equal importance to all as heritage has to have common ownership, says Lashari. His point is that it is imperative for Pakistanis to have something which they can relate to with pride, especially when they are facing a crisis of identity.
He explains that the Walled City project is not about merely setting up a food street, refurbishing a monument or repairing a trail. It is about comprehensive urban regeneration where every aspect of day-to-day life will be taken into account and displayed in totality.
“If we can properly showcase our history, food, architecture, culture and traditions at one place, it would be a great achievement,” he says.
The first phase of the project entails complete restoration of the heritage architecture along a 383-metre route and 57 streets falling on the main trail. A total population of 5,951 individuals and 513 houses will benefit from this phase which will be complete by November this year.
Later, the Authority intends to start talking to donors for the next phase, says Lashari who is confident this dream will become a reality.
A major part of project money will be spent on laying of quality infrastructure for provision of gas, electricity, water and sanitation. The dangling electricity wires, which give an unpleasant look, will be concealed in pipes and the sanitation scheme will be kept underground.
Tariq Iqbal, a teacher in his early 40s, is relieved to find several encroachments removed from inside the Delhi Gate and the restoration work in progress. The WCLA has paid compensation to the encroachers along the boundary walls of Shahi Hamam and Wazir Khan Mosque and asked them to leave.
Tariq has lived here for ages and seen how unplanned commercialization harmed the architecture and the social life of the Walled City. Even though he is not fully aware of the components of the project, he is in love with the idea of being able to relive his childhood or even that of his forefathers.
He says he cannot believe his eyes when told that the Authority shall regularly organize cultural festivals, display crafts, arrange wrestling bouts, poetry recitals (mushairas), food fairs, jewelry shows etc in this part of the Walled City. The spacious court of Wazir Khan Mosque has been marked as the point for this purpose.
“We have involved National College of Arts (NCA), Pakistan Institute of Fashion Design (PIFD), several guilds and associations and are open to advice on how to bring the Walled City to its original shape,” says Lashari.
Once popular drinks such as ‘tukh malanga’ and ‘kanji’ will also be introduced to the new generation which does not know anything about them, he adds.
Besides, there are proposals about asking corporations to adopt a haveli, a heritage house or a monument.
Lashari is clear that the sustainability of the project lies in involving the residents and making them stakeholders. Once this part of the city attains the status of an international tourist attraction, they will be in a position to earn from the resulting economic activity.
Easy access to the Walled City is a major issue without solving which the very idea of making the place a tourist attraction will not materialise fully.
Lashari says he has written to TEPA and requested the organization to re-route the Circular Road from Azadi Chowk to Badami Bagh. This can be done by constructing an elevated semi-circular loop to give an alternative route to the traffic plying between these two points. Once the road between Iqbal Park and Lahore Fort/Badshahi Mosque is closed to traffic the whole area will turn tourist-friendly.
With congestion-free Lahore Ring Road lying in close vicinity, some options can also be mulled to connect the area with other parts of the city.
Secondly, he says, TEPA has been requested to study/survey the parking flow within the Walled City so as to identify areas that need to be restricted only to the non-motorized traffic. Exemption for emergency vehicles or facilitating the residents or timings could also be taken into consideration.
Lashari dispels the impression that he is being overambitious about the project, saying that there are several examples worldwide where heritage has been conserved in totality and many of them happen to be in the Muslim world — for instance, Isfahan in Iran, Fez in Morocco, Aleppo in Syria and Grand Bazar in Turkey.
The Water and Power Development Authority was created in 1958 to develop Pakistan’s water and energy potential. The WAPDA Building, located at Lahore’s Charing Cross, shares views of the Summit Minar and Punjab Assembly Building along with the Masonic Lodge, Shah Din and Alfalah Buildings. It is one of the icons of the city’s architectural landscape.
The WAPDA Building was designed by the American Architect Edward A. Stone and completed in 1960. Until about a decade ago, the building also housed, below the ground floor, the Saloo’s Restaurant. With that closed, the public’s entry into the building is restricted. I’ve had the chance, once or twice, to visit the building and never fail to take pictures of it when I can (though Architect Rana Atif Rehman has done a good job documenting its exterior). I’m posting two for your distraction.
he Lawrence and Montgomery Halls in Lahore as photographed by James Craddock in the 1860s. The caption states “Two large Halls for public meetings built by subscription in honour of Sir John (now Lord) Lawrence and Sir Robert Montgomery. The latter is almost the finest room in India & is used for all the state durbars and Senate meetings, etc. The great ball to the Duke of Edinburgh was in this Hall.” Sir John Lawrence was first Chief Commissioner and Lt. Governor of the Punjab (1853-59) and went on to become Viceroy of India. Robert Montgomery was second Lt. Governor of the Punjab (1859-65). Sir Lawrence played a crucial role during the First War of Independence in 1857 by assuring the supply of troops from Punjab to Delhi. The neoclassical look of the halls was meant to inspire awe in the locals and reaffirm colonial authority after the war. The halls are now being used as the Quaid e Azam Library.
Photo Credit: http://www.thefridaytimes.com/beta2/tft/article.php?issue=20111104&page=30
Govt. Islamia College Railway Road Lahore was founded in 1892 by the Anjuman-i-Himayat-i-Islam, the oldest of the three colleges was one of the focal points for the Pakistan Movement. The founder of Pakistan, Muhammad Ali Jinnah, visited this college to address and confer with its students. Graduates and students of this college are referred to as “Habibians” after the name of the college’s oldest and central building.
Photo by: Shiraz Hassan
Posted by: Shiraz Hassan
Photograph of the Chauburji Gateway at Lahore, taken by an unknown photographer in the 1880s, part of the Bellew Collection of Architectural Views. The Gateway of the Four Minarets or Chauburji was once the entrance to one of Lahore’s many pleasure gardens.
Posted by: Shiraz Hassan
Photograph of the Samadhi of Ranjit Singh at Lahore, Pakistan, taken by George Craddock in the 1880s, part of the Bellew Collection of Architectural Views. Lahore is the capital of Punjab province, is considered the cultural centre of Pakistan.
Posted by: Shiraz Hassan
This photograph of the tomb of Dai Angah in Lahore was taken by H H Cole in 1884 for the Archaeological Survey of India. Wife of a magistrate in Bikaner in Rajasthan, Dai Angah was wet nurse to the Mughal emperor Shah Jahan (r. 1628-57). Inscriptions give the date of construction as 1671. The single-storey tomb is brick built and faced in painted plaster and tile mosaics in colourful floral and geometric motifs. Its square plan comprises a central domed chamber with eight further chambers surrounding it. There is a domed kiosk at each of the building’s four corners.
Recent picture of Dai Angah’s tomb.
Posted by: Shiraz Hassan
M has sent this piece for Lahore Nama shedding light on the well-known Mubarak Haveli located in old Lahore. This piece was written in response to the information found on this blog. I am publishing this ‘correction’ of facts for the readers. No wonder there is not a single history but several narratives of the past. Raza Rumi
• During the rule of Muhammad Shah, three amirs namely Bahadur Ali, Nadir Ali, and Babur Ali constructed a haveli in Mochi Gate area. Coinciding with its completion Bahadur Ali was blessed with a son and thus the haveli was named Mubarak Haveli. Prince Shah Shuja ul-Mulk was made to stay at this haveli by Ranjeet Singh, who later forced the prince to surrender Koh-i-Noor to him. Continue reading
Saad Sarfraz Shiekh’s excellent article and photos
The tomb of Nadira Begum…
Finding Nadira Begum’s Tomb isn’t hard since its right next to Sufi Saint Hazrat Mian Mir’s shrine.
Nadira Saleem Banu was the wife of Mughal Prince Dara Shikoh, the ill-fated heir to Shah Jahan’s throne and the crown prince of his Indian empire.
She died in 1659, several months before Dara Shikoh execution, and was survived by two daughters. No sons survived thanks to Aurangzeb Alamgir, who got rid of all male threats.
Stories of Nadira Banu’s beauty and intelligence were famous throughout the empire. She was the daughter of Shah Jahan’s half-brother, Prince Perwez, and therefore Dara Shikoh’s cousin.
Her would-be husband Dara Shikoh was eager to marry her and had a good relationship with her throughout his turbulent life. He never remarried, in spite of the common Mughal practice of persistent polygamy and overflowing harems. Shah Jahan’s wife Mumtaz Mahal, Dara’s mother, arranged the marriage when both Dara and Nadira were teenagers.
Dara Shikoh’s sister Jahanara Begum got along with Nadira quite well, as reflected by her involvement and interest in Nadira’s wedding and her closeness to him. Continue reading
Salma Mahmud recalls the beauty of Lahore’s past (The Friday Times)
Maharaja Sher Singh after
Raja Dina Nath was granted the title of Diwan
Ranjit Singh holding a darbar
A malang dancing at Shah Hussain’s mazaar
The demolished Shivala used to be a gathering place for Kashmiri pundits
|” align=”justify”>Some felt that Raja Dina Nath’s falseness was the means to his success, for he never hesitated in deserting a losing party or a falling friend. There were others who testified to his generosity towards faqirs and orphans|
If one is to be unbiased, then one must admit that The Lion of the Punjab was a great lover of natural scenery and greenery. He passed an order that not a single spot of barren land should be visible along the five miles between Delhi Gate and Shalimar. The GT Road was thus lined on both sides by eager courtiers and noblemen vying with one another to plant trees, gardens, parks and green fields … Lahore was in truth turned into a city of gardens
FFor those who love Lahore there is a mystical connection between themselves and the city. Regardless of its current ravaged and bereft condition, it continues to tug at the heartstrings with its lure and lustre.
And as you drive along the old Shalimar Road, the mist is thick, grey, smoky. You can almost eat it. This ancient road is withdrawn, remote, secretive, compressed within itself, surrounded by its dreary new townships.
Yet it is still full of magic, the magic of things half-seen in a dream, the magic of the barely visible or the partly remembered, which is the very stuff of dreams. Wily Raja Dina Nath’s legendary garden exists in this dream to the east of the old road, laden with fragrant blossoms, fruit trees, fountains, pleasure domes and pavilions. And the ruins of Shah Bilawal’s Baradari lie crumbling along the way, where Ranjit Singh’s heir Maharaja Sher Singh and his seven year old son and his retainers were brutally murdered by the Sandhanwalia conspirators. Surely all that blood must still exist somewhere under the earth? And perhaps it will cry out one day against the Qabza group’s encroachments on the Sher Singh family samadhs. Latrines have been constructed through the retaining wall, into the mound atop which stand the sacred chatthris. What further desecration could be possible? Recall the exquisite painting of the young Sher Singh after his bath, sitting with his curling hair spread out over his shoulders, and recoil from the current morass.
‘Nadiyon paar Ranjhan da thaana,
Mintaan karaan malah dey naal
A turning to the left off the Grand Trunk Road takes you to the tomb of Shah Hussain, the 16th century Sufi saint, whose festival of lights Lahoris celebrated at the end of March. The entrance is marked with a gateway of brick composed of a multi-foil of several leaf-shaped curves, and a simple cusped projecting archway through which a few steps lead you into an elevated court. The enclosure of the tomb is large, with a small graveyard located on the east side. Somewhere here lies Ustad Daman, one of Lahore’s beloved icons, who spent the last years of his life in Shah Hussain’s Hujra, situated below a mosque near Heera Mandi.
A well adds ambience to the area, and large old trees provide shade and tranquility. Maharaja Ranjit Singh’s beautiful Muslim wife Moran, a former Amritsar courtesan, whom he affectionately called Moran Sarkar, built a small mosque in the environs of the tomb as a token of reverence for the saint. Unfortunately this entire structure has been demolished and rebuilt.
Ranjit Singh, apart from giving lavish donations to the shrines of Hazrat Mian Mir and Baba Farid, was a great devotee of Shah Hussain, and a sincere believer in his powers of performing miracles. Two of these are worthy of mention, the first being his reputed ability to change wine into milk and then back again into wine. He is alleged to have performed this miracle at the court of the Great Mughal, Akbar Badshah.
The second miracle was his supposed power to transport human beings from one place to another. He is said to have achieved this for his beloved disciple Madho, who expressed a wish to be with his parents at Haridwar, where they were performing their pilgrimage. His parents saw Madho bathing in the holy waters of the Ganga, which was considered adequate proof of Shah Hussain’s supernatural powers in this regard.
Maharaja Ranjeet Singh’s intensely controversial figure still permeates the area between the Fort and Shalimar. He used to celebrate both Basant and Mela Chiraghan with great enthusiasm at Shah Hussain’s mazar as well as at Shahjehan’s romantic garden. On Basant all his courtiers were ordered to wear yellow clothes, and much of the food served during the festivities was yellow in colour. His cavalry stood at attention on the route from Delhi Darwaza to Chah Miran, as he wended his way along the GT Road, with Moran riding beside him on an elephant. Dancing and singing and carousing were the order of the day on both occasions.
His forty year rule was a strictly secular one, and two of his most trusted advisors were the celebrated Faqir brothers, Nuruddin the Hakim who cured him of a severe eye infection, and Azizuddin his Foreign Minister. Of the latter’s tact and diplomacy there can be no greater proof than the celebrated anecdote when the Governor General of India, Lord Aukland, asked him which of the Maharaja’s eyes was the blind one. His reply was, ‘The Maharaja is like the sun, and the sun has only one eye. The splendour and luminosity of his single eye is so much that I have never dared to look at his other eye.’ The Governor General was so impressed by Faqir Azizuddin’s reply that he presented him with his gold wrist watch. (Incidentally, the left eye was the blind one.)
Of Ranjeet Singh’s Hindu advisors, the most intriguing is surely Diwan/Raja Dina Nath, of the large deep-set eyes and neatly clipped white beard, referred to as the Talleyrand of the Punjab. Dina Nath was a Kashmiri Brahmin who came to Lahore in 1815 and soon rose to prominence at the court due to his diligence and brilliance. In 1826 Ranjeet Singh gave him the title of Diwan and granted him many jagirs.
Revolutions in which his friends and patrons perished passed him by, and in the midst of bloodshed and assassination his life was never endangered. Some felt that his falseness was the means to his success, for he never hesitated in deserting a losing party or a falling friend. He maintained his position during the years of anarchy following Ranjeet Singh’s death, and in fact his prestige and power continued to rise. This clearly depicts the strength of his extraordinary talent and tact. Eventually the British made him Raja of Kalanaur in the Jullundhar area.
On the plus side he has been described as physically brave and morally courageous when the occasion demanded it, and thereby he was one of the most successful courtiers of the Lahore Durbar. Nur Ahmed Chishti in his ‘Tehqiqaat-e-Chishti’, praises his boundless generosity towards faqirs and orphans. Chishti’s father Ahmed Bukht Yakdil was tutor to Dina Nath’s family, so this information comes from the horse’s mouth so to speak.
The two elegant havelis that he built near the Wazir Khan Mosque still survive, with several families living in each one. However, the beautiful Shivala or temple complex that he constructed in 1835 near the junction of Vachchuwali and Mohalla Sareen was demolished in 2006 by the Pakistan Evacuee Trust Property Board, in order to make way for a commercial building. This Shivala was a gathering place for Kashmiri Pundits, all of whom worship Lord Shiva, and their celebrations at Shivratri used to be exceptionally grand. It was two storeys in height, containing a large central courtyard, in which stood a five foot high Makrana marble statue of Shiva in the celebrated Nathraj pose, placed on a large pedestal. The Shivala was constructed of red sandstone, with the main door being of engraved Burma teak. The inner walls Continue reading
The Lahore Fort, locally known as Shahi Qila, is located in the northwestern corner of Lahore’s Walled City. The majestic edifice is the result of many centuries’ work. According to the Pakistani historian Wali Ullah Khan, the earliest reference to the Fort comes in the history of Lahur (Lahore) compiled by Al-Biruni, which refers to a fort constructed in the early 11th century. Munshi Sujan Rae Bhandar, author of the Khulasa-tut-Tawarikh records that Malik Ayaz, a lieutenant of Sultan Mahmud, built a masonry fort at Lahore and inhabited the city. It is generally believed that present Lahore Fort is the same fort, which was damaged by the Mongols in 1241 and again in 1398 by a detachment of Timur’s army, then rebuilt in 1421 by Sayyid, son of Khizr Khan.
The Fort was extensively refurbished, extended and upgraded during the Mughal era. This is why it is rightly attributed as one of the gems of the Mughal civilization. Emperor Jalal ud Did Akbar, Jahangir, Shah Jahan, and Aurangzeb all added to it. During the period of Sikh occupation, Ranjit Singh added several pavilions on the upper ramparts. Some modifications to the Fort were made during the British period beginning in 1846 for housing facilities for colonial functions. Those modifications have been reverted and efforts made to bring the Fort back in its pre 1846 appearance. Continue reading
A report from the Daily Post
LAHORE: A group exhibition titled Shehr will open at the Collectors Galleria on April 28th at 6:30pm.
Almost four artists, Abdul Rahim, M Ilayas Rana, M Shafiq and Sarfraz Musawir will display over 11 pieces in this group show.
Their work is said to revolve around the old city architect. Each artist will present their paintings of old city grandeur, as perceived by themselves to carry in their own distinctive mark.
Another group exhibition will be displayed at the Alhamra Art Gallery on April 28th as part of the launch of Grey Noise, a virtual visual art gallery. Almost 11 artists will participate in the exhibition with variety of art forms and work, sculptures, photographs and paintings. Continue reading