Basant: Lahore’s lost spring

Raza Rumi

Cross posted from my website

Lahore, a centre for the arts and learning in the early 20th century, has been the custodian of a plural, vibrant culture for decades. Its walled city, unlike several other old settlements, has continued to survive despite the expansion of the city. So have its peculiar features: its dialects, cuisine, community linkages and, of course, rich festivals such as Basant. As the capital of Punjab, Lahore used to celebrate Basant — the arrival of spring — in a colourful manner.

Since the medieval times, Basant was acknowledged and celebrated by the Chishti saints. Nizamuddin Auliya of Delhi turned it into an act of devotion, and Amir Khusrau’s songs captured the multi-layered evolution of this festival.

Punjabi poets such as Shah Hussain gave a Sufi flavour to it. Hussain, in one of his kaafis, says: “The Beloved holds the string in his hand, and I am His kite.” The festival offered a meaning to all and sundry: from playful kids to lovers and Sufis; from profit-seekers who developed livelihoods around the festival to the community as a whole.

Basant was celebrated by all communities prior to Partition: Hindus, Muslims and Sikhs treated it as a Lahori festival with an identity linked to the city. In this milieu, Allama Iqbal was known to be an avid kite flier. But the post-1947 rise of clerics meant that inclusive cultural practices were to be treated with suspicion. For many decades, the Pakistani mullahs have ranted against Basant as an “unIslamic” festival and one that endangered public morality.

Unfazed by these fatwas, Lahoris continued with the festival. It even received state patronage on various occasions. A citizen of Lahore, Mian Yousaf Salahuddin (the grandson of Iqbal), turned his old Lahore haveli into a cultural hub and, over time, Basant celebrations became an international attraction. By the 1990s, proactive civil servants turned Basant into a great regional festival. Lahore’s then deputy commissioner, Kamran Lashari, provided full backing to the holding of this event in the 1990s. That was perhaps the time when Basant also became most controversial due to its scale and the increased hazards of unregulated kite-flying in which metallic or chemical-coated string was used.

The use of this string instead of the traditional dor caused many deaths each year and the local government was unable to enforce regulations on its usage. The metallic wire would get entangled in electricity cables in the old city, leading to electrocution. The courts intervened and asked the Punjab government to ban the festival in 2007.

Ironically, the banning of Basant did not take place in the name of religion but through a public interest litigation. However, the ideological opponents of Basant have been happy with the outcome and have created an uproar each time someone raised the question of reviving Basant after putting safety measures in place. But Lahore is a poorer place now. It is devoid of this public celebration, especially for thousands of impoverished workers in the old city and neighbouring towns where Basant was celebrated with great fervour.

Read the full post here

The images are Mahboob Ali’s works (an eminent artist from Lahore also known for his woodcuts)

3 responses to “Basant: Lahore’s lost spring

  1. So sad to miss Basant every year , hope some solution is carved out by our leaders, Lahore looks drab and dull with no social and healthy activities. No one taking interest to promote ravi River bank and Baradri right in the heart of Ravi.
    It is full of filth, buffalows and turtles. In past and present every leaver have been vowing to make Lahore Paris and Istanbul but on paper only ? Still Lahore Lahore Aay.

  2. Loss of Basant festival is most unfortunate for Lahoris. I believe one of the reasons being that the decision against this festival was taken by persons who knew next to nothing about the culture of Lahore and had no love or attachment to Lahore and its festivals. Those persons also includes our present traders class of rulers of Lahore.
    I can not exempt the new generation of youth who contributed towards providing opportunity to the rulers who did not have any love for the basant in the first place, to ban this festival. In the process ten of thousands of workers associated with this festival lost their source of livilihood.
    I wonder if Basant will ever return to Lahore?

  3. Basant is alovely festival in lahore but without basant there is no charm in lahore. We are realy sad

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