Lahore’s rich culture of cinemas has deteriorated over decades. This video reminds us why we need more accessible, low-cost cinemas for the public. #publicspaces Lahore was once known for its rich culture. The city had numerous large screens, but now, most of the city’s old cinemas have been demolished. Some cinemas have turned into plazas and other businesses. Author Saeed Ahmad tells Naya Daur that before 1947, filmmakers from Bombay used to release their films in Lahore first to evaluate the response of the audience. And only then was the film released in other cities of the Indian sub-continent. One of the cinema owner tells that there was a time when cinemas used to get sold out for films but now things have changed. The modern cineplexes are not meant for the masses. Saeed Ahmed also blames ZIa-ul-Haq for the decline in performing arts.
Category Archives: Architecture
Ae roshnion ke shahar
Kaun kahe kis simt hai teri roshnion ki raah
Har jaanib be-noor khadi hai hijr ki shaharpanaah
Thak-kar har soo baith rahi hai shouq ki maand sipaah
Oh city of lights
Who could say in what direction is the road to your lights?
On every side stand the unlit city-walls of banishment:
Weary, in every direction, the exhausted army of ardour is sitting (Faiz Ahmed Faiz, trans. by V. G. Kiernan)
I went to Lahore in search of a dead woman – a woman who belonged, more in death than in life, to this city she decided to make her own. I went to know about the unknown, to throw some light on the darkness of her past. In belonging to a city in death, one often imparts life to the city itself. My journey to Lahore made me realise much more than I could imagine: that the search for the dead can often lead one to many more deaths, to being trapped within the apparition of an illuminated city that thrives on darkness. For me, Lahore now translates into an enigmatic sense of loss. It is a loss that is not mine, that would never be mine, that could never have been mine. I am an outsider, a mere traveller. Yet, it is this loss that reaches out, connecting dots on the map of Lahore, darker than any other line. It is this loss that I have gained. It is this loss I accidentally inherited as I went astray in the glittering alleys and gardens of the ruining city I thought I escaped. Continue reading
This article was originally published on TNS
Work on restoring Masjid Wazir Khan’s eastern façade and forecourt is fast underway, despite the challenges, and the place is likely to be open to public by the end of this month
By Maaria Waseem
I photographed a house on Temple Road,Lahore with Zoroastrian symbolism which led me to find out why this road was called Temple Road. I thought maybe there was a Zoroastrian temple on this road but to my surprise i found a beautiful Sikh temple of Guru Har Gobind, called “Gurdwara Chatti Badshahi”.
This Gurdwara Comes under the Aukaf Department now and a small family lives here as caretakers. When we enter the Gurdwara on the right side are the living Quarters for the caretaker’s family and on the left side is the prayer hall and in the center is a courtyard.
The building is very simple and is designed in typical British Colonial Period style of Architecture.
Guru Har Gobind (5 July 1595 – 19 March 1644) was the sixth of the Sikh gurus and became Guru on 25 May 1606 following in the footsteps of his father Guru Arjan Dev. He was eleven years old, when he became the Guru, after his father’s execution by the Mughal emperor Jahangir. He is remembered for initiating a military tradition within Sikhism to resist Islamic persecution and protect the freedom of religion. He had the longest tenure as Guru, lasting 37 years, 9 months and 3 days. Continue reading
عدنان خان کاکڑ
لاہور برصغیر کا وہ شہر ہے جو ہر دور میں اہم رہا ہے۔ خواہ رامائن کا دور ہو جب رام چندر کے بیٹے لوہ کے نام پر اس شہر کا نام رکھا گیا تھا، یا ہندو شاہی کا دور جب لاہور ایک بڑی ہندو شاہی سلطنت کا دارالسطنت تھا جو پنجاب سے لے کر موجودہ افغانستان کے مزار شریف تک پھیلی ہوئی تھی، یا غزنوی دور تھا جب لاہور سلاطین غزنی کا پایہ تخت بنا، یا پھر خاندان غلاماں کا زمانہ تھا جس کا پہلا سلطان قطب دین ایبک یہیں انارکلی میں جاں ہار گیا۔
اور مغلوں کی تو بات ہی کیا تھی۔ ہمایوں کے بھائی کامران مرزا کی غالباً پورے برصغیر میں ایک ہی نشانی بچی ہے۔ دریائے راوی میں کامران کی بارہ دری۔ اور پھر اکبر آیا تو چودہ سال تک اس نے لاہور سے اپنی عظیم سلطنت کو چلایا۔ جہانگیر یہاں دفن ہوا اور شاہجہاں یہاں پیدا ہوا۔ اورنگ زیب کے عہد میں بادشاہی مسجد اور قلعے کا عالمگیری دروازہ تعمیر ہوئے۔
شاعرانہ طبیعت رکھنے والے مغلوں کے اس محبوب شہر نے ان سے خراج محبت پانے میں کمی نہ دیکھی۔ یہاں قلعے میں شیش محل اور دیوان عام و خاص بنے۔ نور جہاں اور جہانگیر کے عالیشان مقبرے یہیں تعمیر ہوئے۔ شالیمار باغ بنا۔ مغل باغات کے شہر لاہور میں اور ایک اور وسیع باغ اورنگ زیب کی بیٹی زیب النسا نے بنوایا۔ روایت ہے کہ یہ وسیع و عریض باغ موجودہ نواں کوٹ اور سمن آباد سے لے کر قدیم شہر کی فصیلوں تک پھیلا ہوا تھا۔ اس کے چند ہی آثار باقی بچے ہیں۔ چند بچے کھچے برج سمن آباد اور نواں کوٹ کے گھروں کے کونوں کھدروں میں موجود ہیں اور کسی وقت بھی کسی نئے گھر کی تعمیر کے لیے ڈھائے جا سکتے ہیں۔ اس کی صرف ایک نمایاں نشانی بچی ہے۔ چوبرجی دروازہ۔
Photos by Maaria Waseem
Back gate of Akbari Sirai, Jahangir Tomb Lahore needs desperate attention.
One of the most significant Mughal structures, carrying some of the most spectacular tile mosaic examples, is the Gulabi Bagh Gateway. It is located on the northern side of G.T. Road, east of Buddhu’s Tomb, and past Begampura Road on the left. Although of considerable height (it is a two storey structure), it can be missed easily since it does not carry a dome, or other terminating elements, As is evident from its name, this remarkable gateway was originally the entrance to a garden known as Gulabi Bagh or (the rose garden), no longer extant. The name however, is also a chronogram, from which the date of construction of the gateway AH 1066 (1655) is obtained. Although the gateway has endured much damage to its decorative features, it is in a tolerably well-preserved state. It was constructed by or in memory of Mirza Sultan Beg, a Persian nobleman and cousin of Shah Jahan’s son-in-law Mirza Ghiyasuddin (married to princess Sultan Begam). Due to his cousin’s relationship with the royal family, Mirza Sultan Beg rose to the exalted position of Mir-ul-Bahar (Admiral of the Fleet). He was obviously on extremely good terms with the emperor, who, aware of his love of hunting, presented him with a much-admired English rifle. Just two months later, the firearm proved fatal for him due to the bursting of a shell during a hunting expedition at Hiran Minar at Sheikhupura. He died in 1063/1657. A lofty Timurid aiwan—a popular architectural rendering for gateways—rises to two-storey height, and incorporates a 40′ long covered walkway defined by a single storey cusped arch gateway. The aiwan is flanked on both sides with 5′ deep arched alcoves expressive of the two storeys of the structure. The covered walkway is lined on either sides with a 12’x12′ chamber, which no doubt provided accommodation to the guards, from where an internal staircase leads to the first floor. The 50′ wide facade, subdivided into slightly sunken panels presents one of the finest examples of kashi kari (tile mosaic). Continue reading
This is a very serious issue , as this new cemented building might collapse on the Victoria Girls High School , it is tilting towards the school , however over the last few rains in this month the situation has worsen.
(Photo and words Tahir Yazdani Malik)
The Avari Hotel Facebook page shared this post:
“Did you know that Avari Hotel Lahore building has been on Mall Lahore since 1880. Yes, it was Nedous Hotel from 1880 to 1910. The Hotel was founded by Michael Nedou in 1880, after partition it was used for Government Offices. In 1960, the building was demolished and new Park Luxury hotel was built (owned by Avari’s), that later, in 1970 was also demolished to raise the current Avari Hotel building which was called Hilton International at that time.”
In 1961 Nedous was auctioned to the late Mr Dinshaw Avari and was renamed Park Luxury Hotel.
From my recent visit to Shalimar Gardens I saw these paintings on doors on the rooms at the entrance of the garden. These paintings of Mughal period are still safe from visitors who write their names with phone numbers and many who literally destroy frescoes. I think these should be preserved in a manner that these are still in their place but safer from vigilantism of people.
Lahore Nama is sharing this insightful video by Shah Salman Sirhindi on the deteriorating situation of Lahore’s heritage especially the houses of commoners. These are centuries old houses and have immense importance from heritage point of view but next generations may not be able to witness how their forefathers used to live in Lahore.
I visited historic Wazir Khan Mosque with my friend in a tour to explore Lahore and what I found was a bit of tragedy of ruining frescoes and mosaic treasure. Many of whom had already vanished due to ignorance and incompetence of officials. It is a tragedy that such a historical site is being used by commoners with out the supervision of experts. Some of the still safe frescoes and mosaic are under with my comments from Instagram account. (Photos by the Author and Umer Khalid)
These are last photos for my Wazir Khan Mosque series. This is of numerous frescoes in the mosque used as decoration on walls. These are masterpieces of Mughal art each wort of millions of rupees dating back to 4 centuries.
These mosaic and frescoes are ruining rapidly. When I went there I saw an empty wall but if you see just ten year old photos of Wazir Khan Mosque you find a fresco work there. Now it has vanished completely. This is the case with other frescoes.
I tried my best to find details on these frescoes on internet but was unsuccessful. Would love it if someone can give me details.
Imagine this wonderful piece of art is 400 years old left to ruin and fade away.
Mosaic tiles forming the star of David. Back then it was halal. No one said there is a Jewish conspiracy behind this mosque.
This is a three year old report from the Sikh Sangat News being posted in Lahore Nama as very little difference has been made since then. Sher Singh Baradari is being ruined like many other Sikh era relics.
Lahore, Pakistan: Proposed conservation plan of Parks and Horticulture Authority (PHA) to preserve an important historical monument of 19th century Baradari of Sher Singh is in doldrums due to lack of funds and the existing structure can collapse any time, TheNation has learnt.
The sources said that the Archeology Department had prepared a feasibility report for the conservation and renovation of the Baradari’s structure on the request of PHA about three months back with the estimated amount of Rs 22 million. They further said that PHA also allocated Rs 32 million for the preservation of historical monument and also adjacent garden but despite lapse of three moths, the department could not manage the amount.
The monument, which is surviving with skeleton, was declared protected under Antiquity Act 1975 but not a single plan had been carried out to preserve it.
It may be mentioned here that the monument was badly damaged and set on fire by an angry mob in 1992 in retaliation to the demolition of the Babri Mosque in India and at that time the people had taken its precious wooden doors, as informed by the locals. Continue reading
This article was originally posted in The News
LAHORE: Pakistan’s monument declared as the world heritage, Lahore Fort has turned into an inaccessible destination for local as well as international tourists after closure of the main link road and shifting of parking facilities far away.
Lahore Fort is one of the favourite visiting places of local and international tourists, especially in the winter season. Residents of the provincial metropolis also used to visit this marvellous building with their families to spend a whole day in lush green lawns. Mostly, school trips are also scheduled for winter season.
The main road dividing Minar-e-Pakistan (Iqbal Park ground) and Lahore Fort was closed for normal traffic during the construction of Azadi Interchange. This road links Azadi Chowk to Lorry Adda. During construction of the Azadi Interchange, heavy vehicles and machinery used this road to bring sand, mud, iron, bricks, concrete, etc, due to which it had broken. Continue reading
Lahore, the cultural capital of Pakistan, is one of the epicenters of architecture, particularly that belonging to the Mughal period. Historical monuments and buildings serve as visual reminders of the past. They bring the general public closer to the relics of various civilizations that had once existed in the pre-historic times. The historical pieces are like safe vaults carrying centuries old secret treasures. Not only do they connect people with their history and cultural heritage, they also give them a better understanding of where they hail from and how they should appropriately define themselves today.
Unfortunately, most of the monuments in Lahore are facing a host of issues ranging from human neglect, environment degradation to factors as aging and natural decay. Despite conservation efforts, the Department of Archaeology and Government of Pakistan have failed to preserve various monuments that possess sheer historical importance.
Situated on the Multan Road, the monument was actually a gateway to a garden that has now disappeared. It is called Chauburji (the four minarets) because of its four corner minarets, out of which one on the north west corner was actually lost. The fragmentary inscription on its eastern archway records that the garden was founded in 1664 A.D by a lady, mentioned metaphorically as “Sahib-e-Zebinda.
The reference is most probably to Jahan Ara Begum, the eldest daughter of Emperor Shah Jahan who was entitled as “Begum Sahib “.
The main architectural merit of the building is its rich mosaic decoration with which its entire façade including the octagonal corner minarets are brilliantly embellished
Tomb of Anarkali
Anarkali, a beautiful girl brought up in Akbars Tharam was suspected by the Emperor of having a secret love affair with prince Salim (Emperor Jahangir). According to the legend, she was executed for her amorous folly in 1599 A.D. Six years later, when Salim came to the throne, he in the memory of his beloved, constructed a monument known as Anarkali Tomb. The mausoleum which stands within the enclosure of the Punjab Civil Secretariat, was completed in 1615 A.D. It has undergone great changes from time to time that it has lost all its original decorations. In 1891 A.D. it was converted into Punjab Records office and still serves the same purpose.
Hazuri Bagh and Baradari
The quadrangle now occupied by the garden called Hazuri Bagh with a marble Baradari (1818 A.D.) in its center, was originally a Sarai built by Aurangzeb, where during the Mughal rule thronged the Imperial cavalcade and armed retainers.
The two storied building adjoining the southern gateway (Hazuri bagh Gate) was also originally built in the time of Aurangazeb as a boarding house for scholars. Later on it was used as Abdar-Khana or place for keeping refreshing drinks. During the reign of Ranjit Singh it came to be called Gulabkhana or “Rose water House”. During the British period it was again used as a boarding house for students.
The marble baradari was constructed in 1818A.D. by Ranjit Singh.
The Sikh Maharaja used to sit in state and transact business of his kingdom, and it was also in this baradari that Sher Singh received the British Embassy sent by Lord Ellenborough in 1843 A.D.
Dai Anga Tomb
Behind the Gulabi Bagh Gateway and on the site of the former garden lies the mausoleum of Dai Anga, nurse of Shahjahan. She was the wife of Murad Khan, a Mughal Magistrate of Bikaner. She also founded Dai Anga’s Mosque, one of the well known ancient mosques of Lahore. The Quranic inscription on the walls of the tomb chamber ends in the name of the scribe, Muhammad Salih. According to the date inscribed on the tomb, it was constructed in 1671 A.D. The mausoleum comprising a central tomb chamber and eight rooms around it, was once beautifully decorated with mosaic work.
Samadhi of Ranjit Singh
Ranjit Singh, the Sikh ruler, ruled Punjab from 1799 to 1839 A.D. His Samadhi occupying the spot where he was cremated lies just opposite the Lahore Fort. It was commenced by his son Kharak Singh and completed in 1848 A.D. Built in bricks with a sprinkling of red sandstone and marble, it is a mixture of Hindu and Muslim architecture composed and constructed in conformity with Hindu tastes. The ceilings are decorated with class mosaic or plain glass work. Eleven smaller marble knobs placed all around hold ashes of four queens and seven slave girls. The interior of the Samadhi chamber is also decorated with frescoes depicting mostly the stories of the Sikh Gurus.
Haveli Maharaja Naunihal Singh
Haveli Nau Nihal Singh is reckoned among the most magnificent buildings of Lahore constructed during the Sikh period. It was built by Nau Nihal Singh, son of Maharaja Kharak Singh, and was used as his private residence. It contains numerous spacious chambers, halls and balconies. The roofs are decorated with paintings and mirrors decorated with gold. The walls are richly ornamented with glasses and artificial flowers.
Tomb of French Officer’s Daughter
Originally this garden was laid by General Venture a coach to Sikh army. Another French General M. Allard an officer in the services of Maharaja Ranjgit Singh was also residing in the same garden who remained in service from 1822 to 1889.
The daughter of General M. Allard named Marie Charlotte died on April 5 in 1827 in Lahore and she was buried on a mound in the north west corner of this garden. General H. Allard also died due to heart attack in January, 1889 during the campaign of Peshawar and his body was brought to Lahore and buried by the side of his daughter in the same tomb.
It is small tomb with a dome octagonal in plan. On the top of the main entrance, a tablet with Persian script is fixed bearing the name of the bidder and the death date of Marie Charlotte.
Gulabi Bagh Gateway
Known for its excellence of rich and vivid mosaic tile work and superb calligraphy on plaster base, this was the entrance gate to a garden which like many others in Lahore has now disappeared. It was constructed by a Persian noble, Mirza Sultan Baig, who was Aminul Bahr (admiral of fleet). It is said that in 1657 A.D while on a hunting excursion to the royal hunting reserve at Hiran Minar near Sheikhupura, he died from the bursting of an English gun given to him by Shahjahan. The title “Gulabi Bagh” (Rose garden) occurs in the last line of the inscription of over the archway which not only describes the kind of the garden, but as a chronogram, also gives the date of its construction, 1655 A.D.
In 1609 the Emperor Jahangir ordered a small minaret like monuments to be built at every kos along the Grand Trunk Road. Kos was an ancient measure of the territory distance which varied from time to time. It was derived from Kross meaning a “cry” used as an indication of distance as early as 300 BC. It was probably known also to Hiuen Tsang in the seventh century AD. During the period of Emperor Jahangir the conventional Kos, was measured between 2 miles 3 furlongs to 2 miles 5 furlongs. Remians of a 4 Kos Minars of Mughal period still exist in the environs of Lahore, among which the typical example at Shahu-ki-Garhi near the railway line just outside Lahore station is prominent. It is built of burnt bricks about 27 feet high, with an octagonal base and cone-shaped super structure not having any inscription.
The other Kos Minars exist in the most miserable condition.
Bhardrakali Mandir, an ancient Hindu temple is situated inside the famous Thokar Niaz Baig. The temple dedicated to an incarnation of the Hindu deity, Durga Mata was once a grand complex comprising various smadhs (stupas), baoli (well), banyan tree, a pool and two temples. According to the writer Kanhiya Lal, the largest Hindu festival of Lahore used to be held in this temple. Unfortunately, historical account regarding the main temple can’t be found. However, another structure created by Maharaja Ranjit Singh during his reign still stands there and is being used as government primary school.
This article was originally posted at Dunya News Urdu Website
This article was originally posted in The Daily Express
مندر کی عمارت میں رہائشی لوگ بہت ساری طلسماتی اور ماورائی کہانیوں کے اسیر ہیں۔ فوٹو: فائل
قدیم لاہور کے مقام کے بارے میں مؤرخین کی ایک رائے یہ بھی ہے کہ اس وقت کے پرانے لاہور سے کچھ فاصلے پر واقع اچھرے کو قدیم لاہور کہا جا سکتا ہے۔ہندوستان میں کئی قدیم شہروں کے گرد فصیلوں میں موجود دروازوں کے نام نسبتی ہونے کے ساتھ ساتھ دوسرے شہروں کے رخ کی جانب ہونے کے باعث ان شہروں کے ناموں پر بھی دکھائی دیتے ہیں۔ جس طرح پرانے لاہور میں دہلی اور کشمیری دروازوں کے رخ ان شہروں اور مقامات کی جانب ہیں۔ اسی طرح اگر لاہوری دروازے کی سیدھ میں دیکھا جائے تو اچھرہ کا علاقہ دکھائی دیتا ہے۔
یہ قرین قیاس ہے کہ قدیم لاہور کا مقام اچھرہ ہی ہو۔ اچھرہ میں ہمیں دو قدیم مندروں کے حوالہ جات بھی تاریخ کی کتب میں ملتے ہیں۔ ایک مندر ’’چاند رات مندر‘‘ تھا جس کا رقبہ کئی کنال پر محیط تھا۔ لیکن اب اس مندر کے آثار ڈھونڈنے سے مل نہ پائیں گے۔ دوسرا مندر ’’بھیرو کا استھان‘‘ تھا۔ تاریخ کی کچھ کتب میں اسے ’’بھیرو استھان‘‘ بھی کہا گیا ہے۔
’’استھان‘‘ ہندی زبان کا لفظ ہے جس کے معنی مقام‘ جگہ‘ حالت‘ رہائش گاہ‘ مندر‘ مزار کے ہیں۔ ’’تھان‘‘ بھی ہندی زبان کا لفظ ہے جس کے معنی مقام اور جگہ کے ہیں۔ چونکہ یہ مندر بھیرو سے منسوب ہے تو یہ مندر بھیرو کا مندر‘ یا بھیرو کی رہائش گاہ کے معنی میں لیا جاسکتا ہے ۔ اب ایک نگاہ بھیرو پر بھی ڈال لی جائے۔
ہندو اساطیر کی روشنی میں بھیرو نامی ایک دیوی کا تذکرہ ملتا ہے جو ہندوئوں کے لیے اپنے تقدس کے باعث مشہور ہے۔ اس کے بھگت کامیابی کے لئے اس کی پوجا کرتے ہیں۔ سید لطیف نے اپنی کتاب ’’تاریخ لاہور‘‘ میں اس مندر کے حوالے سے دیوی ہی کا ذکر کیا ہے۔
دیوی کے ساتھ ساتھ بھیرو نامی دیوتا بھی دیو مالائی کہانیوں کا ایک مشہور اور خاص کردار ہے۔ ہندوستان میں کئی مقامات پر اسی دیوتا کے نام سے بڑے بڑے مندر اور پوجا گھر دکھائی دیتے ہیں۔ ہندو روایات میں یہ دیوتا اپنے غیض و غضب کے حوالے سے مشہور ہے۔ اس کے بھگت عموماً اس کی پوجا اپنے دشمنوں پر کامیابی حاصل کرنے کی غرض سے کرتے ہیں۔ لاہور کی تاریخ کے حوالے سے کئی کتب میں یہ مندر اسی دیوتا سے منسوب ہے۔ یہ دیوتا شیوا جی اور دیوی ستی کا اوتار ہے۔
دیوی ستی کا باپ دکھشا نامی دیوتا تھا۔ دکھشا نے ایک بار بہت عظیم الشان یوجنا کا اہتمام کیا جس میں تمام دیوتاؤں کو مدعو کیا گیا لیکن شیوا کو نہ بلایا گیا۔ ستی دیوی کو اپنے شوہر کی بے عزتی کا گہرا رنج ہوا اور وہ اسی یوجنا کی آگ میں جل کر مر گئی۔ شیوا نے ستی دیوی کی موت کے باعث اس کے باپ دکھشا کو مار ڈالا اور یوجنا کی آگ سے اس کا جسم اٹھا لیا تاکہ وہ تاندوا کی رسم پوری کر سکے۔ اس کتھا کے آخر میں دھرتی کا پالن کرنے کے لئے وشنو دیوتا نے ستی کے جسم کے ٹکڑے پرتھوی (زمین) پر گرا دیئے جو کہ ہندوستان کے مختلف علاقوں میں گرے۔
جہاں جہاں وہ ٹکڑے گرے وہیں وہیں پر بھگتی کے مندر تعمیر ہوتے گئے۔ شیوا ان مندروں کی حفاظت کے لئے بھیرو کی شکل میں آتا ہے اور بھیرو کوتوال کے نام سے جانا جاتا ہے۔ کوتوال کے علاوہ بھیرو راہو اور یوگیوں کے دیوتا کے نام سے بھی جانا جاتا ہے۔ یوگی اور تانترک بھگت شدھی حاصل کرنے کے لئے خاص منتروں کی پڑھائی کے ساتھ ساتھ کئی طرح کی جسمانی مشقتیں بھی کرتے ہیں۔ یوگا اور تانترک یہ مشقیں نروان حاصل کرنے کے لئے کی جاتی ہیں۔ ان مشقوں کا ذکر بارہا گرو رجنیش المعروف اوشو نے بھی کیا ہے۔
An exciting report has been published on The Express Tribune about the renovation of Surjan Singh Street by the Punjab Govt with the help of Aga Khan Trust for Culture and World bank. Walled street is a gift of our ancestors with rich heritage to be proud of. We hope more such projects start and preserve this invaluable heritage.
Lahore: Located inside the Walled City’s Delhi Gate, Gali Surjan Singh is home to 13 residences. This week, conservation work on these homes and in the area received an ‘honourable mention’ from the UNESCO Asia-Pacific Awards for Cultural Heritage Conservation for “efforts of private individuals and organisations that have successfully restored and conserved structures and buildings of heritage value”.
The Gali Surjan Singh project includes a restoration of heritage architecture, replacement of infrastructure and services, including underground telecommunications, electricity, gas, water and sewerage. A total of 23 houses have been restored as part of the project, 13 of which were fully restored, and encroachments removed. Approximately Rs20 million was spent in the restoration of these 13 homes.
Gali Surjan Singh is named after Hakim Surjan Singh and it is believed that it dates back to the period of Maharaja Ranjeet Singh in 1849. In 2007, the Punjab government received financial support from the World Bank and technical and financial assistance from the Aga Khan Trust for Culture (AKTC) in order to begin a project of urban rehabilitation here that took into consideration the area’s historic nature and the lives of current residents. Continue reading
Lahore, Lahore aye.
By Pran Nevile
No city in the subcontinent can boast of a more stirring or more turbulent history, or a stronger vitality, than Lahore—a city ruled by Hindu kings, Mughal emperors, Sikh monarchs, British sovereigns. Scholars, historians, and travelers passing through Lahore were enchanted by its majesty and grandeur. In the heyday of its glory as the capital of the Mughals, the city rose from semi-obscurity to eminence. It became the city of historical monuments and gardens. Lahore finds mention in John Milton’s classic, Paradise Lost. Thomas Moore in his celebrated Lalla Rookh describes the glittering life and pageantry of the palaces, domes, and gilded minarets of Lahore. Rudyard Kipling, the Nobel laureate who was raised in Lahore, immortalized the city in his writings.
The British rulers took active steps to safeguard and preserve old monuments and buildings of national interest and historical value. I remember that many new residential areas were developed in different parts of the city: Krishan Nagar, Sant Nagar, Ram Nagar, Ram Gullies, Krishna Gullies, Gowalmandi, Gandhi Square, Nisbet Road, Mozang and Quila Gujjar Singh. The most novel experiment was the construction of a modern township, Model Town, about six miles from the center, with spacious bungalow-type houses owned by the upper middle class of all communities. Continue reading