Category Archives: Art

The Lights of Lahore: A Cartography of Loss

This article was written by Farha Noor for Coldnoon.com

Ae roshnion ke shahar
Kaun kahe kis simt hai teri roshnion ki raah
Har jaanib be-noor khadi hai hijr ki shaharpanaah
Thak-kar har soo baith rahi hai shouq ki maand sipaah

Oh city of lights
Who could say in what direction is the road to your lights?
On every side stand the unlit city-walls of banishment:
Weary, in every direction, the exhausted army of ardour is sitting (Faiz Ahmed Faiz, trans. by V. G. Kiernan)

 

I went to Lahore in search of a dead woman – a woman who belonged, more in death than in life, to this city she decided to make her own. I went to know about the unknown, to throw some light on the darkness of her past. In belonging to a city in death, one often imparts life to the city itself. My journey to Lahore made me realise much more than I could imagine: that the search for the dead can often lead one to many more deaths, to being trapped within the apparition of an illuminated city that thrives on darkness. For me, Lahore now translates into an enigmatic sense of loss. It is a loss that is not mine, that would never be mine, that could never have been mine. I am an outsider, a mere traveller. Yet, it is this loss that reaches out, connecting dots on the map of Lahore, darker than any other line. It is this loss that I have gained. It is this loss I accidentally inherited as I went astray in the glittering alleys and gardens of the ruining city I thought I escaped. Continue reading

Profile: High life, Lahore

This article was originally posted in Dawn

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Soaked in the golden age of the ’60s, Lahore was an island of hedonistic pleasure. For teens who had yet to say goodbye to the loss of innocence that perforce visits every adult when real life issues strike, ours was a fairytale existence. Who can forget ‘Mr Chips’? With his bagful of packets of chips he would pop up from every corner of Anarkali bazaar to accost you. His voice, 50 years later, still rings in my ears. The channa chaat at Bano Bazaar had to be eaten after mom would finish with her petticoat and blouse matching with the saris she’d tote around.

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Song Of Lahore: Pakistan’s Musicians Affirm Their Place In A Country That Threatens To Forget Them

By Akbar Shahid Ahmed

Asad Ali, the guitarist in the Sachal Jazz Ensemble, is one of the musicians featured in "Song of Lahore." | Mobeen Ansari

Asad Ali, the guitarist in the Sachal Jazz Ensemble, is one of the musicians featured in “Song of Lahore.” | Mobeen Ansari

The value of one’s soul is hard to measure, but Baqir Abbas, a musician in the Pakistani city of Lahore, has it worked out for himself. Abbas’ soul is slightly less precious to him than the delicately designed bamboo flutes he carves. “All the stories of the world will play from it, God willing,” he says, before kissing his latest instrument and touching it twice to its forehead.

Abbas explains his philosophy in “Song of Lahore,” a new documentary about an intergenerational community of musicians skilled in their own mix of traditional Pakistani music and the Western orchestral scores demanded by Lahore’s once-booming film industry. He and his fellow musicians “find God in music,” Abbas says.

Their critics do not, and the very act of practicing their craft now makes them targets in a more conservative Pakistan. Followers of the increasingly influential, hardline Deobandi school of thought in Sunni Islam consider music to be sinful and musicians to be apostates who have no place in an avowedly Muslim nation.

“Song of Lahore” is powerful because it shows these musicians do have a place in Pakistan.

Last week, the 82-minute documentary won multiple standing ovations and a joint second place in the Documentary Audience Award category at New York’s Tribeca Film Festival. But the feature’s greatest triumph is that it proves the Deobandis wrong: These musicians are quintessentially Pakistani and essential to the nation’s cultural identity, Islam and all.

Worshippers gather at Lahore's historic Badshahi Mosque on April 25, 2015.

Worshippers gather at Lahore’s historic Badshahi Mosque on April 25, 2015.

Progressive Pakistanis who value their country’s musical heritage have been making that case for decades. Continue reading

Lahore on a fantastical journey

by 

This article was originally published in TNS

The Lahore Biennale, expected to be the premier showcase of contemporary arts from all over the world, is all set to have a finale in 2016

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Imagine a walk through the fabulousness of Venice, feel like a Venetian or a traveller, drown in the city’s hopeless romance — without having to fly over continents, without braving the mundane drudgery of travel… ah, really, it’s so dreamlike!

Renowned contemporary artist Rashid Rana is about to take Lahoris on this fantastical journey. His installation, an extension of his Venice Bienalle project, ‘My East is Your West’, to be put up in Liberty Market soon, will replicate Plazzo Benzon in Venice. This space in Lahore will feature a video projection of live feed from a mirrored space in Venice. The backdrop will be the same, yet you will view completely different faces and activities on either side of the world. It will be in one sense a replication and yet a dislocation of space.

Rana’s artwork, and a bundle of other art activities, will together form the Lahore Biennale, which is expected to be the premier showcase of contemporary arts from all over the world.

Set up in 2013, the Lahore Biennale Foundation (LBF), a non-profit organisation, run by a team of prominent artists and curators of national and international acclaim, through their initiative of Lahore Biennale hope to cover “critical sites for experimentation in visual expression and experience, seeking to challenge and expand the scope of both”, explains the Foundation’s manifesto.

“We want to bring art in the public sphere. We want to break institutional boundaries, reach out to as many people as possible, and encourage platforms where dialogue can go on,” says Qudsia Rahim, executive director LBF, while sitting in a square room with white walls in a senior architect’s office in Lahore’s Muslim Town. Her team comprising young art school graduates surrounds her. Talking on their behalf too, Rahim excitedly adds, “We just want to have fun with arts”. Continue reading

Photo of the Day: Sunset in Lahore via BBC Weather

BBC Lahore

Stunning sunset in , Pakistan last night. More world pics:

A little bit of India in Lahore

 

Naseer ud din shah

The third edition of the Lahore Literary Festival concluded last weekend, a three-day extravaganza attended among others, by prominent Indian writers as delegates and visitors.

Distinguished historian Romila Thapar gave the inaugural keynote address, “The Past as Present”, introduced by Ayesha Jalal, whose recently published book The Struggle for Pakistan also featured in one of the sessions. Both historians participated in a later session on “Living with Internal Differences: The South Asian Dilemma” with human rights lawyer and activist Asma Jahangir and journalist Khaled Ahmed.

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لٹریچر فیسٹیول۔ اُردو سے زیادہ انگریزی میں

کشور ناہید

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ہال نمبر4میں کل 70 کرسیاں لگی تھیں۔ کم از کم 500 لوگ اندر آنا چاہتے تھے۔ مسئلہ بھی ایسا تھا۔ عبداللہ حسین کے ساتھ ایک گھنٹے کا پروگرام لاہور لٹریچر فیسٹیول میں ہونا تھا۔ شائقین فیصل آباد، اندرون شہر لاہور، شیخوپورہ، گوجرانوالہ اور لاہور کے سارے کالجوں سے آئے تھے۔ وہ سب عبداللہ حسین کو دیکھنا اور سننا چاہتے تھے مگر ہال کے اندر گنجائش صرف 70 بندوں کی تھی۔ اس وقت بڑے ہال میں کرکٹ پر مذاکرہ ہورہا تھا۔ اس میں گنجائش 750 لوگوں کے بیٹھنے کی تھی۔ بتانا مقصود یہ ہے کہ اول تو اردو ادب سے متعلق سیشن آٹے میں نمک کے برابر رکھے گئے تھے۔ ان کے لئے بھی چھو ٹے ہال منتخب کئے گئے تھے۔ جبکہ سیاسی موضوعات سے لیکر ملکہ ترنم، نصیرالدین شاہ اور سارے غیرملکی ادیبوں کے لئے بڑے ہال محفوظ کئے گئے تھے۔ Continue reading

Reclaiming Lahore – LLF 2015

This article was originally published here

The Lahore Literary Festival came as a breath of fresh air on the city’s depleted cultural landscape

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“Pata nahin kee hai, koi kitaaban da mela lagda hai,” one of the numerous policewomen deployed outside the Alhamra Arts Council last weekend was overheard saying perplexedly into her phone. It was easy to understand her confusion for it’s not every day that the city witnesses an event of the magnitude that was the Lahore Literary Festival (LLF).

Spread over three days, the festival put up a remarkable 75 sessions that gave the people of the city, as well as those who’d converged on to the Alhamra from various parts of Pakistan, a taste of literature, politics, culture and music. The sessions ranged from tributes to Pakistan’s legends such as Madam Noor Jehan and Faiz Ahmed Faiz to talks by the country’s new generation of fiction writers including Kamila Shamsie, Mohsin Hamid and Bilal Tanveer, interspersed by discussions on global and regional politics that engaged international journalists such as Roger Cohen of the NY Times and Lyse Doucet of BBC with local experts and politicians.

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Photo of the Day: Paintings from Shalimar Gardens

Malik Omaid

From my recent visit to Shalimar Gardens I saw these paintings on doors on the rooms at the entrance of the garden. These paintings of Mughal period are still safe from visitors who write their names with phone numbers and many who literally destroy frescoes. I think these should be preserved in a manner that these are still in their place but safer from vigilantism of people.

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Shazia Sikander Receiving Medal of Art from Hillary Clinton

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Shazia Sikander

22feb2014 DAWN

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Shazia Sikandar Late 2000’s

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Shazia Sikandar Mid 2000’s

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Shazia Sikandar Early 2000’s

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2003 Fresh Talk Daring Gazes_Page_2 Continue reading

Fresco and Mosaic work at Wazir Khan Mosque Lahore

Malik Omaid

I visited historic Wazir Khan Mosque with my friend in a tour to explore Lahore and what I found was a bit of tragedy of ruining frescoes and mosaic treasure. Many of whom had already vanished due to ignorance and incompetence of officials. It is a tragedy that such a historical site is being used by commoners with out the supervision of experts. Some of the still safe frescoes and mosaic are under with my comments from Instagram account. (Photos by the Author and Umer Khalid)

These are last photos for my ‪‎Wazir Khan‬ Mosque‬ series. This is of numerous frescoes in the mosque used as decoration on walls. These are masterpieces of Mughal‬ art each wort of millions of rupees dating back to 4 centuries.
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These mosaic and frescoes are ruining rapidly. When I went there I saw an empty wall but if you see just ten year old photos of Wazir Khan Mosque you find a fresco work there. Now it has vanished completely. This is the case with other frescoes.

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I tried my best to find details on these frescoes on internet but was unsuccessful. Would love it if someone can give me details.

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Imagine this wonderful piece of art is 400 years old left to ruin and fade away.

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Mosaic tiles forming the star of David. Back then it was halal. No one said there is a Jewish conspiracy behind this mosque.

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Walking Through History | The Walled City of Lahore

Saira A Nizami

The Old City, or the Walled City of Lahore is in the northwestern part of Lahore, Punjab. The visitor is given access to the city by 13 gates, few of them being Bhati Gate, Lahori Gate and Roshnai Gate.

As he visits the Walled City, Razi Rumi shares these rich moments and his thoughts while walking through streets of Lahore:

FortMughal architecture: Lahore Fort’s beautiful wall with original frescoes. Has survived amid history’s atrocities and government’s negligence.

Faqir Khana Museum

Lahore’s heritage: Inside the Faqir Khana Museum, Bhatti Gate. Some of the carpets are from the Emperor Shah Jahan’s era.

Haveli Naunehal Singh

Imagine living in a room with such amazing frescos – A hidden corner of Haveli Naunehal Singh, walled city of Lahore.

Balcony

Wouldn’t you love to have balcony like this? Spotted in walled city Lahore.

Little Girl in Hijab

Met this young girl in walled city Lahore last week.

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Unfortunate graffiti on one of the 17th century walls of Lahore fort. However there is a guy out there who loves US.

Twinkle School

Twinkle Scholar (private) school has great advertising. Also shows what is valued as success.

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Clever combination of modern and traditional education: Madrassa Safeena-tul Quran.

Spices

Ready for artwork? Look again, these are walled city Lahore’s colorful spices

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A majestic structure that survives the vagaries of time .With those breathtaking frescos — Haveli Nonehal Singh, Lahore

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A hidden jewel in the densely populated walled city of #Lahore. Haveli Nonehal Singh, Victoria School since 150 years.

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When I was procuring old plates, saw this too. The guy got the sign made and only 22 years later had to leave Lahore.

Colonial Plate

A spode plate – India Tree- found in the rubble of Lahore‘s colonial past.

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Mobeen Ansari

Mobeen Ansari’s sensitive photography tells tales of vibrant lives lived out amidst wistfully neglected structures

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History speaks out..

 

Lahore is not my city. This allows me to view it with a mixture of foreignness and belonging; as simultaneous insider and outsider – removed enough to be endlessly fascinated by it, close enough to be able to photograph it consistently. The Badshahi, Wazir Khan and Lahore Fort may be clichéd photographic pursuits but I never get enough of the new angles and insights they afford me each time.

Early morning view of Wazir Khan Mosque

Early morning view of Wazir Khan Mosque

I went on my routine old Lahore photography trips around fajr time each time I drove down to Lahore from Islamabad; had been doing that for a few years, but i wanted to get into the heart of these neighbourhoods, really peek into people’s lives and capture their stories. One day I got lucky. Walking into Masjid Wazir Khan – it was my second time there – I struck up a conversation with the Imaam of the masjid, sharing with him my curiosity about the man said to have built the mosque – Ilm-ud-Din Ansari. Since I shared his surname I wondered if I also shared his lineage. The Imaam asked for my ID card, squinted at my full name and asked me to follow him deep into the neighborhood, into alleys beyond Delhi Darwaaza that I could never have discovered on my own. He knocked at a door and asked for keys, I think to different areas of the mosque; one of these keys he gave to me, of a minaret I had never expected to be allowed to climb, knowing as I did that it is ordinarily closed to all visitors.

Back at the mosque I lugged my heavy camera bag up the high Mughal-era steps. The suffocating dankness of the minaret gave way to a clear Lahori dawn that I observed from a unique vantage point. The height afforded fascinating aerial glimpses into the lives of the residents of the old city sprawled out below me.

Andron Lahore on the occassion of 12 Rabbiul Awal

Andron Lahore on the occassion of 12 Rabbiul Awal

 

Once every week I go to Lahore for work – meetings, shoots etc. So I had gone to Lahore for one night only for a meeting. When I got done with my work I met up with a friend from college who was also in town. Both of us had laptops and camera bags but no car. We had dinner, took a rickshaw to a cinema to watch a movie, and at midnight came out into the freezing and foggy Lahore night. We walked and rickshawed (changing six of them!) till we reached his place, warmed ourselves with some chai and set out for androon Lahore, managing to get there just before dawn. It was the morning of the 12th of Rabi-ul-Avval (the Prophet’s birthday) and the night’s lights hadn’t been turned off as yet. In the eerie twilight glow, before many people had woken up we roamed the labyrinthine alleys of androon sheher and experienced it like never before in the magical hours between sleeping and waking. Why I am so obsessed with going to these places early in the morning is because there’s no rush at that time and you can see history clearly.

run-down houses in Lahore

run-down houses in Lahore

Click here to see wonderful collection of pictures by the writer:

WCLA Holds “Wekh Lahore” — Biggest Amateur Photography Contest

Courtesy: Daily Times, South Asia Revealed, WCLA

68428_720936144607103_739959613_nThe Walled City of Lahore Authority (WCLA) launched city’s biggest amateur photography contest, Wekh Lahore, on Fiday this moth. Large number of Lahoris took to the Alhamra Arts Council to attend the event. WCLA Director-General Kamran Lashari, Communication Expert Tania Qureshi, country’s leading photographers and a large number of people participated in the event.

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The jury included some notable photographers such as Atif Saeed, Abrar Cheema and Umair Ghani; and a painter, Zulfikar Ali Zulfi.

The first second and third prizes were won by Mudassir Madni, Hashim Aslam and Abdul Rahim, respectively. The event was a treat to visitors eyes. They duly appriciated the works of emerging photographers.

1604625_770081949688091_1748367199_nClick here for further information.

Closing ceremony of Wekh Lahore contest was also held at Alhamra Arts Council. Pakistan’s renowned journalist Sohail Warraich served as cheif guest of the ceremony.

Please see details of closing ceremony here:

The Waters of Lahore by Kamal Azfar (A Review)

Review by Iqbal Geoffrey

Dear Kamal Azfar

19252_the-waters-of-lahore-01Reading your book: THE WATERS OF LAHORE has imparted great pleasure and furnished enlightening information; therefore, this note is a symbol and a gift  from my  genuine appreciation while hoping  that you might  arrange its Urdu version  published as a subsidized edition. You may consider adding a separate chapter succinctly describing bluntly in your honest-to-goodness, straightforward style, e.g., what does the government need to do  as well as the  law-abiding denizens in Pakistan (systemically dehumanized by alien or fiendlike Rule of Low and Law off Rulers, though with no signs of Rule of Law in sight) over last five thousand years (and their Sing Along With Mitch cutlery, chumcha cha cha!) in  Pakistan. Now that the Land of the Pure (and helluva halva) has become not only a failed state, but also plundered, oppressed, almost bankrupted, and a Terrorist® state. Gone with the Raiwind are the good old days and inbetweenties glimpsing  any semblance/dynamics of wisdom or micro-iota regarding  Values or Vision. The Hyperbole and intimate Manage a Trois are very-very ‘In’.

Rather remarkably ­– in between the lines — your book reads like art criticism. Moreover, no civilization has ever flourished progressively without first excelling in arts. Within the unfortunate State of Pakistan the ubiquitous coterie of nouveau riche/ deep-pocket riffraff and semi-illiterate politicians (rudderless + ruthlessly on-the-take) compounded by  rabid bureaucrats (low-ranking Machiavellis) are instead coyly dismantling what is left of Pakistan. One in PTI/ one in ML(N)/ one Independent Syndrome. Jinnah must be turning in his grave. Right now we encounter déjà vu of 1999 when forex reserves were miserably down to $400 millions, that too S.O.S-borrowed at exorbitantly high commercial rates. Please propose what needs to be done. I will, in  deeds, state of art illustrate it !!!

As your former GCL  classmate and causa honoris fan, I ought to mention two item thoughts. ZAB (a poet-of-politics deserving criticism in the Surah 26 : 226 Sense) actually was not all that ‘not-corrupt’. When Bhutto visited my Studio (or Clinic for the Sake of AesthE T H I C S) in Central  Park West (at the Mayflower) or later in Beekman Place, NYC 21 , I humbly pontificated  that bigotry must not be encouraged by anyone whatsoever, i.e.,  no one may designate/label or even subliminally  belittle any other person’s faith, nor tempt invidious exodus or determine their faith or stigmatize any school of thought. By Officially (draconically) branding the Ahmadis as ‘non-Muslims®’. He  acted disgracefully and unleashed a  palpable Pandora box mix for our vintage/ perverse (perhaps even worse) halala-smitten/happy Mullah, Moolah and Mega- Mediocrity in order to exploit and plunder. Now chickens are coming home for roasting up Shias. God mentions in the Holy Koran that on the day of Judgment He will judge everyone in accordance with his faith. So Culprits cannot escape exemplary punishment.

Moreover, Bhutto used to boast before his Sitting Ducks that he manifested two personas (euphoria of split personality, I presume); one private (seductive actresses + Invigorated Rooh-e Afzaa + surreptitious verbal  ‘marriage’ with Ravishing Husna Sheikh — where is the Bengal Beauty?? = la dolce vita a la mode at  State-with-dwindling-resources expense account), and The Other his (illusionary) public (= commercial)  personage (Roti, Kappra, Aur Makkan + phony “Liend Reforms” phantom/hype).

During 1969 (when he invited Dr. Zafar Aziz Khan and me), I asked him point-blank why await  becoming the PM to implement his promised and worthy  ‘Land’-Reforms, why not initiate and functionalize/fructify that very day since charity and all good deeds (like justice) begin with home, however, I would simultaneously join him, donate all my existing resources, I am a bit short of being a Kuwaiti Currency Billionaire, I must admit, ‘how short’ is my Tashkent $ecret) : he responded that he  had  a family to support and I retorted on the spot to his sudden surprise:  ‘But; everyone is suffering from that dis-ease’. It turned him pinkier! He become fidgety. Dr. ZAK graciously walked out on him along with me from the debilitated Falettis which was ruining itself after The Oberoi Family had to leave.

The Tashkent Secret” (another Bhutto Bluff!)  simply was that we triumphantly lost that war too.  Mein ne dekha:    also as a citizen of the global village, I felt very sorry for the Motherland, Raftarr Tez Haey – –  mugger Suffer ahissta-ahissta. The cutting-edge bottom-line is  that actually, soon after that Bhutto (albeit innocent  Yatra),  Janab A.K. Brohi,  To err is human, confided  to me  that  Bhutto  would  not win  a  single  seat  even  from  native Sindh..

Since the Dacca  (double entendre , it also means dacoiting in my Penglish) Marrowing of l971, over 300 billion dollars have been money-laundered  illicitly out to offshore havens as sacrosanct nest-eggs. Although I strongly oppose Death Penalty in present day Just Ice Pakistan, as an exception to the rule I humbly favour brutal public hangings of economic Fitna-Fasaad  caterers per the Commandment of God. Caliph Hazrat Omer, RA  condemned hypocrisy as the worst of  sins and calibrated that one who appeases in a wrong is far worse than the wrong-monger.

Our present day  role model  Prime Munster, Haji Sir Nawaz SharrrrReef’s (HonGCMG 1997 violating Art. 254) two sons have  already proudly become British citizens with Right of Abode which re-minds me the brilliant obiter dicta  that MohtrimA Meena Kumari (born in  Mitha Tiwana, District KhushAAB = Good Waters off of  the Chenab River ) lisped in the playback surroundsound of Lata Mangheshkar: Innhi loggounn ne lay liyya dupatta mera…  

Also there exists  a lucid, tell-tale  Urdu  lyric (ghazzal), ahead of its time (as is all art) narrating  requiem for  ZAB during his own lifetime, by the greatest poet of the XX century (albeit from Montgomery), Munir Niazi, RA.  I will appreciate your corrective views about  the aforesaid aspects of some burning issues which are of burgeoning incendiary concern to the common, law-abiding citizenry of Pakistan who find themselves Iraq and a hard placebo.

A New Gateway to An Old World

By Shahzada Irfan Ahmed

Picture this. You enter the Walled City from Delhi Gate and find yourself in a ‘unique’ setting — one you are completely unfamiliar with. The Mughal era buildings you see on both sides of the road wear a majestic look. The ambience, the architecture, the colour scheme, the sweetness of the music on play and the artistic illumination of these buildings are stunning, to say the least.

The streets are clean and there are shops, courtyards and pavements where traditional food and drinks as well as crafts are on offer.

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You may also find small inns where you can sit back with your friends and enjoy a sip of indigenous ‘qahwa.’ A few steps away, you are likely to come across a place where you can see well-built men wrestling with each other in an earthen pit.

The biggest relief, perhaps, would be the absence of motorized vehicles and the noise and smoke that is generated thereof.

There are parts of the Walled City where the pedestrians can tread without fear of being crushed by a fast moving vehicle. For once, vehicles of all sorts are barred from entering the areas making them navigable on foot.

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All this may seem like a fairy tale but, in fact, it is not. Fortunately, for the people of Lahore in particular and Pakistan in general, an ongoing project promises all this and much more. Called ‘Sustainable Development of Walled City Lahore Project,’ it was launched in 2006 by the Punjab government in conjunction with the World Bank. The budget estimate for phase one is Rs70 crore, which will be shared equally by both the partners.

The Aga Khan Trust for Culture agreed to provide technical expertise and carry out surveys that cover topography, water quality, socio-economic conditions, geographical information system (GIS) etc of the Walled City.

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Initially, it was a project but later, in 2010, a body called the Walled City of Lahore Authority (WCLA) was set up under an Act by the Punjab Assembly. The main purpose of the move was to help sustain the restoration work irrespective of which party is in power.

The project suffered some delays in the past due to various reasons including shortage of funds, non-cooperation of locals, resistance by commercial interests etc. For long there was a feeling that the project will not go on as planned and may be abandoned altogether. However, some recent developments have infused hope among those involved directly or indirectly with the project.

One such development is the association of prominent bureaucrat Kamran Lashari with the project as director general of the WCLA. Having a significant track record of successfully carrying out heritage/conservation projects, many believe he is the best person to complete the task.

The project is of equal importance to all as heritage has to have common ownership, says Lashari. His point is that it is imperative for Pakistanis to have something which they can relate to with pride, especially when they are facing a crisis of identity.

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He explains that the Walled City project is not about merely setting up a food street, refurbishing a monument or repairing a trail. It is about comprehensive urban regeneration where every aspect of day-to-day life will be taken into account and displayed in totality.

“If we can properly showcase our history, food, architecture, culture and traditions at one place, it would be a great achievement,” he says.

The first phase of the project entails complete restoration of the heritage architecture along a 383-metre route and 57 streets falling on the main trail. A total population of 5,951 individuals and 513 houses will benefit from this phase which will be complete by November this year.

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Later, the Authority intends to start talking to donors for the next phase, says Lashari who is confident this dream will become a reality.

A major part of project money will be spent on laying of quality infrastructure for provision of gas, electricity, water and sanitation. The dangling electricity wires, which give an unpleasant look, will be concealed in pipes and the sanitation scheme will be kept underground.

Tariq Iqbal, a teacher in his early 40s, is relieved to find several encroachments removed from inside the Delhi Gate and the restoration work in progress. The WCLA has paid compensation to the encroachers along the boundary walls of Shahi Hamam and Wazir Khan Mosque and asked them to leave.

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Tariq has lived here for ages and seen how unplanned commercialization harmed the architecture and the social life of the Walled City. Even though he is not fully aware of the components of the project, he is in love with the idea of being able to relive his childhood or even that of his forefathers.

He says he cannot believe his eyes when told that the Authority shall regularly organize cultural festivals, display crafts, arrange wrestling bouts, poetry recitals (mushairas), food fairs, jewelry shows etc in this part of the Walled City. The spacious court of Wazir Khan Mosque has been marked as the point for this purpose.

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“We have involved National College of Arts (NCA), Pakistan Institute of Fashion Design (PIFD), several guilds and associations and are open to advice on how to bring the Walled City to its original shape,” says Lashari.

Once popular drinks such as ‘tukh malanga’ and ‘kanji’ will also be introduced to the new generation which does not know anything about them, he adds.

Besides, there are proposals about asking corporations to adopt a haveli, a heritage house or a monument.

Lashari is clear that the sustainability of the project lies in involving the residents and making them stakeholders. Once this part of the city attains the status of an international tourist attraction, they will be in a position to earn from the resulting economic activity.

Easy access to the Walled City is a major issue without solving which the very idea of making the place a tourist attraction will not materialise fully.

Lashari says he has written to TEPA and requested the organization to re-route the Circular Road from Azadi Chowk to Badami Bagh. This can be done by constructing an elevated semi-circular loop to give an alternative route to the traffic plying between these two points. Once the road between Iqbal Park and Lahore Fort/Badshahi Mosque is closed to traffic the whole area will turn tourist-friendly.

With congestion-free Lahore Ring Road lying in close vicinity, some options can also be mulled to connect the area with other parts of the city.

Secondly, he says, TEPA has been requested to study/survey the parking flow within the Walled City so as to identify areas that need to be restricted only to the non-motorized traffic. Exemption for emergency vehicles or facilitating the residents or timings could also be taken into consideration.

Lashari dispels the impression that he is being overambitious about the project, saying that there are several examples worldwide where heritage has been conserved in totality and many of them happen to be in the Muslim world — for instance, Isfahan in Iran, Fez in Morocco, Aleppo in Syria and Grand Bazar in Turkey.