Category Archives: old Lahore

Rare Image of Advertisement of Nedou’s Hotel from 1880

Please note that the advertisement announces that the hotel has electric lights and fans.

Dr. Nyla Ali Khan writes about the history of Nedou family.

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I thought I’d provide some interesting information (historical backdrop) about the Nedou family, which is from my book, The Life of a Kashmiri Woman (Palgrave Macmillan, 2014):

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My Grandmother Akbar Jehan’s paternal grandfather, Michael Adam Nedou started out as a photographer and architect, but destiny had willed otherwise. The decisions that he took shaped that destiny as though with the finesse of a calligrapher’s brush. His first venture in hoteliering was the acquisition of the Sind Punjab Hotel in the port city of Karachi. He built the imposing and courtly Nedou’s Hotel in Lahore, characterized by charm and grace, in the 1870s. He and his heirs later built the Nedous’ Hotel in Gulmarg, Kashmir, in 1888. The hotel in Gulmarg sits on an elevation, overlooking the once luxuriantly lush meadow, with its cornucopia of fragrant, beauteous, and flourishing flowers. The riot of colors in Gulmarg in the summer has always had the power to revive my spirits! The cozy cottages around the main lounge, furnished with chintz drapes, chintz covered armchairs, soothing pastel counterpanes on the canopy beds, and hewn logs around the fire places would warm the cockles of any anglophile’s heart. Despite the rapid growth of monstrous concrete construction in Gulmarg, Nedou’s Hotel has always retained an old world charm, maintaining, against all odds, its historical association, environmental importance, and architectural significance.

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Yearning for home: A Jewish woman’s memories of Lahore

This article was originally posted in here

Hazel Kahan recalls the city 40 years after she left with her parents

By Taha Anis

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“What do you think about Lahore? Can you believe how much it’s changed?” I was asked over and over again there, as my friends listed the traffic, the crowds, the new subdivisions, the restaurants, the box stores. Yes, of course (I’ve changed too in 40 years), but really their question was rhetorical. They were telling me how their Lahore has changed, how it has been transformed from the green and pleasant place of my youth, a place of order and predictability, still basking in the afterglow of the British Raj, where we worried about contracting dysentery from improperly washed fruit or about being jostled by hideously mutilated beggars in the bazaar. Today, home, sweet home requires high walls and iron gates, reinforced by fierce dogs and quasi-uniformed men. Today, my Lahore and theirs has grown to a city of over 10 million…

— Hazel Kahan in the New York-based weekly The East Hampton Star

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A view of Hazel’s childhood house. PHOTO: HAZEL KAHAN

55 Lawrence Road, Lahore. Or as Hazel Kahan called it, home. Perhaps the last living Jewish woman to still associate Pakistan with that most hallowed of words.

And while she may have left it behind for the comfort and solitude provided by the woods of Long Island, New York, Pakistan refuses to leave her.

“When did I leave Pakistan? I left Pakistan many times. I left it every year to go to boarding school, I left when my parents moved in 1971, I left in 2011, I left in 2012 and I left in 2013,” she says. “Every single time, I never knew whether I would ever go back.”

Every single time, she did.

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Celebrating Diwali in Lahore

By Hum-Aahang
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Most people would think of Diwali being celebrated in Pakistan as an exclusively Hindu event, and mostly focused around Sindh where the majority of the Hindu population of Pakistan resides. However, this time around we made it a point to celebrate this holy festival in our university in order to celebrate diversity that exists amongst us, and as a gesture of respect for a sizable Hindu community that resides in LUMS.
Since most of the problems in the country revolve around a collective lack of empathy and intolerance, it becomes all the more important to hold such events to promote amalgamation and unity between people of different faiths that live with us. Continue reading

Why I Love Lahore

This article was originally published in The Huffington Post

Child lost in his thoughts

Child lost in his thoughts

I am a voracious traveller and have had the good fortune of visiting about 40 to 50 cities across continents in the last two decades. Whether it is Naukuchiatal or New York, Periyar or Paris, Delhi or Denmark, I have enjoyed and celebrated each of my travels with equal zest, always discovering something unique and special about the place. And it’s never been about the facilities or the comforts, as much as it is about the energy and attitude of the place and its people.

So for someone like me, an opportunity to officially visit Lahore — to speak at the prestigious Women Leadership Forum organized by Nutshell & AIMA — came like a blessing in disguise, as Pakistan is one country that most Indians wouldn’t consider for a pleasure trip. I was delighted at the thought of visiting our closest neighbour and the birthplace of my parents. Finally, I thought, I’d be able to bring some life into their stories about Pakistan as a haven of large houses, warmth and camaraderie before the lines of geography came in the way of humankind. My mother would reminisce about her father’s cinema hall, named Lakshmi in a small town near Sindh, and my mom-in-law still talks with yearning about their 22-room haveli with its badminton court. Continue reading

لاہور کے شاہی حمام کا انوکھا نظام

شمائلہ جعفری

یہ آرٹیکل BBC Urdu میں شایع ہوا۔

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لاہور شہر تاریخ کی ایک کتاب کی طرح ہے، جیسے کتاب کا صفحہ پلٹتے ہی الفاظ سے تراشی گئی ایک نئی تصویر ابھرتی ہے اسی طرح سر زمین لاہور کے سینے کو کریدیں تو ہر کونے میں خطے کی خوبصورت ثقافت اور روایتوں کی نئی داستان سامنے آتی ہے۔
ایسا ہی کچھ ہوا ہے اندرون شہر کے دلی دروازے میں جہاں مغلیہ دور کے شاہی حمام کی کھدائی میں ایک انتہائی سائنسی انداز میں بنا نظام دریافت ہوا۔
دلی دروازے کی شاہی گزرگاہ میں جڑا پہلا نگینہ مغلیہ دور کا یہ حمام ہی ہے جو سنہ 1634 میں شاہ جہاں کے گورنر وزیرخان نے عام لوگوں اور مسافروں کے لیے تعمیر کروایا۔ ماہرین کے مطابق یہ مغلوں کا واحد عوامی حمام ہے جو اب تک موجود ہے۔

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تاہم اب اس کی عمارت میں بہت سی تبدیلیاں آ چکی ہیں۔ 50 کمروں کے اس حمام کی تزئین وآرائش کو دیکھ کر یہ تاثر ملتا ہے کہ حمام صرف نہانے دھونے کے لیے استعمال نہیں ہوتا تھا بلکہ یہ لوگوں کے میل ملاپ اور ذہنی آسودگی کی جگہ بھی تھی۔

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Song Of Lahore: Pakistan’s Musicians Affirm Their Place In A Country That Threatens To Forget Them

By Akbar Shahid Ahmed

Asad Ali, the guitarist in the Sachal Jazz Ensemble, is one of the musicians featured in "Song of Lahore." | Mobeen Ansari

Asad Ali, the guitarist in the Sachal Jazz Ensemble, is one of the musicians featured in “Song of Lahore.” | Mobeen Ansari

The value of one’s soul is hard to measure, but Baqir Abbas, a musician in the Pakistani city of Lahore, has it worked out for himself. Abbas’ soul is slightly less precious to him than the delicately designed bamboo flutes he carves. “All the stories of the world will play from it, God willing,” he says, before kissing his latest instrument and touching it twice to its forehead.

Abbas explains his philosophy in “Song of Lahore,” a new documentary about an intergenerational community of musicians skilled in their own mix of traditional Pakistani music and the Western orchestral scores demanded by Lahore’s once-booming film industry. He and his fellow musicians “find God in music,” Abbas says.

Their critics do not, and the very act of practicing their craft now makes them targets in a more conservative Pakistan. Followers of the increasingly influential, hardline Deobandi school of thought in Sunni Islam consider music to be sinful and musicians to be apostates who have no place in an avowedly Muslim nation.

“Song of Lahore” is powerful because it shows these musicians do have a place in Pakistan.

Last week, the 82-minute documentary won multiple standing ovations and a joint second place in the Documentary Audience Award category at New York’s Tribeca Film Festival. But the feature’s greatest triumph is that it proves the Deobandis wrong: These musicians are quintessentially Pakistani and essential to the nation’s cultural identity, Islam and all.

Worshippers gather at Lahore's historic Badshahi Mosque on April 25, 2015.

Worshippers gather at Lahore’s historic Badshahi Mosque on April 25, 2015.

Progressive Pakistanis who value their country’s musical heritage have been making that case for decades. Continue reading