Tag Archives: colonial

Govt. Islamia College, Railway Road, Lahore

 

 

 


Govt. Islamia College Railway Road Lahore was founded in 1892 by the Anjuman-i-Himayat-i-Islam, the oldest of the three colleges was one of the focal points for the Pakistan Movement. The founder of Pakistan, Muhammad Ali Jinnah, visited this college to address and confer with its students. Graduates and students of this college are referred to as “Habibians” after the name of the college’s oldest and central building.

Photo by: Shiraz Hassan

 

 

Moving Journeys: An Exhibition of Photographs of the Colonial Punjab

Photographs of the Punjab taken by London’s Royal Geographical Society
(RGS) members during the late 19th and early 20th centuries form the
core of the exhibition. The RGS images provide a glimpse of the Punjab
province through the ages, capturing the changes brought on by
different empires and the impact of internal and external migration.
To help interpret the pictures, the exhibition also makes use of
travelogues collected and written by RGS members during the colonial
period. Continue reading

Reclaiming melody – Sachal Studios of Lahore

Labourers of love: Mushtaq Soofi, Izzat Majeed & Christoph Bracher

Mian Yusaf Salahuddin’s Haveli, where Tarang was launched

Revival of the orchestra by Sachal Studios is a landmark in Pakistan’s music industry

Izzat Majeed: patron of music

Singers and musicians showcasing their skills at Sachal Studios

Raza Rumi (writing for The Friday Times)

It was a mellow, moonlit evening of Lahore’s glorious spring when Sachal Studios released their album ‘Tarang’. It could not have been at a more fitting venue. Amid the decaying environs of Old Lahore stands the Haveli of Mian Yusaf Salahuddin, refurbished into a little planet of conservation as a courageous effort to protect and rejuvenate Lahore’s cultural soul. Mian Yusuf is the one denizen who has done this good deed for posterity, along with Syed Babar Ali who has conserved his ancestral Mubarak Begum Haveli in Bhaati Gate. Of course, the state has been abject in its failure to conserve Lahore’s majestic heritage.Sachal Studios is the brainchild of international businessman Izzat Majeed and man of letters Mushtaq Soofi, an exceptionally motivated duo. Sachal has infused the local music scene with innovation and energy. It is promoting a hybrid orchestra – once an integral part of the subcontinent’s film music tradition. Since 2003, Majeed, an activist and radical intellectual in a previous avatar, has devoted his time and money to this passion – to create Pakistani melodies in sync with the imperatives of contemporary musical sensibilities.

Started as a labour of love, Sachal Studios has released ‘Tarang,’ a collection of music that brings together the best musicians from all over Pakistan, and Humaira Channa’s competent voice. Of late, Channa has been a victim of commercial success and the quality compromises that define Pakistan’s derelict film music. Sachal’s production is a relief; a fresh departure from the usual, and the melodic results are impressive.

At the Old Lahore Haveli, Channa with her family and associates were accorded the respect they deserve. In a similar vein, immensely talented artists, such as the tabla maestro Billoo Khan and Pakistan’s leading sitar player, Ustad Nafees Ahmed Khan also attracted the attention of the star-studded guest list and Lahore’s usual chatterati. It was on a dimly lit terrace of the Haveli that I was introduced to Izzat Majeed, who looked pleased with himself and his Sachal partners as notes from the latest album mixed with the spring air.

Inspired by the Abbey Road Studios in London, Majeed and Soofi have been working for the last six years with Christoph Bracher, a scion of a German musicians’ family, to design and set up Sachal Studios. A state of the art music studio in Lahore is a landmark, for it heralds a new trend of post-production finesse Continue reading

Lahore’s Secretariat record may lose ‘shelter’

By Intikhab Hanif writing for the DAWN
LAHORE, Sept 28: There is a plan to shift the Punjab Civil Secretariat’s colonial central record room to an adjacent ‘unsafe’ location, putting at risk the province’s vital links with its past being kept alive since 1924 in the shape of official files.

The purpose behind the move is stated to be the desire to create a conference hall on the existing premises of the record room, making officials wonder as to how this was required to be done when the secretariat already has a huge committee room and the historical Darbar Hall for cabinet and official meetings. Continue reading