By Akbar Shahid Ahmed
Asad Ali, the guitarist in the Sachal Jazz Ensemble, is one of the musicians featured in “Song of Lahore.” | Mobeen Ansari
The value of one’s soul is hard to measure, but Baqir Abbas, a musician in the Pakistani city of Lahore, has it worked out for himself. Abbas’ soul is slightly less precious to him than the delicately designed bamboo flutes he carves. “All the stories of the world will play from it, God willing,” he says, before kissing his latest instrument and touching it twice to its forehead.
Abbas explains his philosophy in “Song of Lahore,” a new documentary about an intergenerational community of musicians skilled in their own mix of traditional Pakistani music and the Western orchestral scores demanded by Lahore’s once-booming film industry. He and his fellow musicians “find God in music,” Abbas says.
Their critics do not, and the very act of practicing their craft now makes them targets in a more conservative Pakistan. Followers of the increasingly influential, hardline Deobandi school of thought in Sunni Islam consider music to be sinful and musicians to be apostates who have no place in an avowedly Muslim nation.
“Song of Lahore” is powerful because it shows these musicians do have a place in Pakistan.
Last week, the 82-minute documentary won multiple standing ovations and a joint second place in the Documentary Audience Award category at New York’s Tribeca Film Festival. But the feature’s greatest triumph is that it proves the Deobandis wrong: These musicians are quintessentially Pakistani and essential to the nation’s cultural identity, Islam and all.
Worshippers gather at Lahore’s historic Badshahi Mosque on April 25, 2015.
Progressive Pakistanis who value their country’s musical heritage have been making that case for decades. Continue reading
Posted in Art, Lahore, Music, old Lahore, Walled City
Tagged Art, arts, culture, documentary, Lahore, Music, Najaf Ali, Pakistan, Rafiq Ali, Sharmeen Obaid Chinoy, songs of lahore, US State Department
Posted by Raza Rumi
A TV journalist prepared this bold documentary for a news channel but it was never aired for obvious reasons – electronic media remains conservative about taboo subjects. The documentary provides great insights into the way women live, work and identify themselves as sex-workers in Lahore’s oldest red-light district known as Heera Mandi (Diamond Market) ironically next to the great Badshahi mosque. Coverage of Multan in the later parts is also interesting.
The narrator obviously has his biases – the usual refrain of middle class Muslims of the subcontinent – but he tries hard to remain neutral and investigative. There is a good dose of Mujras inserted into the series for the viewers; and tit bits of the Hollywood/Bollywood melodrama on the oppressed ‘tawaif’ (prostitute). Whilst tragedies bring these women to the sex-trade, not all of them lament their lives. If anything, Mirza Ruswa’s Umrao Jan (way back in the nineteenth century) was pretty comfortable and empowered by her profession. Similarly, one of the interviewees says: “money is the father, mother and everything for tawaifs”. The head of Kanjar biradri says that girls are taught to be ‘men’, earning ‘horses’ fooling their clients! Not to be missed.
My favourite is the ‘client’ who confesses how intoxicating it is to be “in love” with a sex worker. One gets tired of ‘using’ a wife all the time he says. Wish this documentary had been aired.
The language of these videos is Urdu so it might not be accessible to all the visitors here.
http://www.youtube.com/watch?v=cyRYGczqsQo&feature=related Continue reading
Posted in Bazaars, culture, Walled City, Women
Tagged documentary, Heera Mandi, journalism, Pakistan, prostitutes, prostitution, sex, sex workers, tawaif, TV