Beautiful View of Lahore Canal
Beautiful View of Lahore Canal
Mobeen Ansari’s sensitive photography tells tales of vibrant lives lived out amidst wistfully neglected structures
Lahore is not my city. This allows me to view it with a mixture of foreignness and belonging; as simultaneous insider and outsider – removed enough to be endlessly fascinated by it, close enough to be able to photograph it consistently. The Badshahi, Wazir Khan and Lahore Fort may be clichéd photographic pursuits but I never get enough of the new angles and insights they afford me each time.
I went on my routine old Lahore photography trips around fajr time each time I drove down to Lahore from Islamabad; had been doing that for a few years, but i wanted to get into the heart of these neighbourhoods, really peek into people’s lives and capture their stories. One day I got lucky. Walking into Masjid Wazir Khan – it was my second time there – I struck up a conversation with the Imaam of the masjid, sharing with him my curiosity about the man said to have built the mosque – Ilm-ud-Din Ansari. Since I shared his surname I wondered if I also shared his lineage. The Imaam asked for my ID card, squinted at my full name and asked me to follow him deep into the neighborhood, into alleys beyond Delhi Darwaaza that I could never have discovered on my own. He knocked at a door and asked for keys, I think to different areas of the mosque; one of these keys he gave to me, of a minaret I had never expected to be allowed to climb, knowing as I did that it is ordinarily closed to all visitors.
Back at the mosque I lugged my heavy camera bag up the high Mughal-era steps. The suffocating dankness of the minaret gave way to a clear Lahori dawn that I observed from a unique vantage point. The height afforded fascinating aerial glimpses into the lives of the residents of the old city sprawled out below me.
Once every week I go to Lahore for work – meetings, shoots etc. So I had gone to Lahore for one night only for a meeting. When I got done with my work I met up with a friend from college who was also in town. Both of us had laptops and camera bags but no car. We had dinner, took a rickshaw to a cinema to watch a movie, and at midnight came out into the freezing and foggy Lahore night. We walked and rickshawed (changing six of them!) till we reached his place, warmed ourselves with some chai and set out for androon Lahore, managing to get there just before dawn. It was the morning of the 12th of Rabi-ul-Avval (the Prophet’s birthday) and the night’s lights hadn’t been turned off as yet. In the eerie twilight glow, before many people had woken up we roamed the labyrinthine alleys of androon sheher and experienced it like never before in the magical hours between sleeping and waking. Why I am so obsessed with going to these places early in the morning is because there’s no rush at that time and you can see history clearly.
Courtesy: Daily Times, South Asia Revealed, WCLA
The Walled City of Lahore Authority (WCLA) launched city’s biggest amateur photography contest, Wekh Lahore, on Fiday this moth. Large number of Lahoris took to the Alhamra Arts Council to attend the event. WCLA Director-General Kamran Lashari, Communication Expert Tania Qureshi, country’s leading photographers and a large number of people participated in the event.
The jury included some notable photographers such as Atif Saeed, Abrar Cheema and Umair Ghani; and a painter, Zulfikar Ali Zulfi.
The first second and third prizes were won by Mudassir Madni, Hashim Aslam and Abdul Rahim, respectively. The event was a treat to visitors eyes. They duly appriciated the works of emerging photographers.
Closing ceremony of Wekh Lahore contest was also held at Alhamra Arts Council. Pakistan’s renowned journalist Sohail Warraich served as cheif guest of the ceremony.
Please see details of closing ceremony here:
Review by Iqbal Geoffrey
Dear Kamal Azfar
Reading your book: THE WATERS OF LAHORE has imparted great pleasure and furnished enlightening information; therefore, this note is a symbol and a gift from my genuine appreciation while hoping that you might arrange its Urdu version published as a subsidized edition. You may consider adding a separate chapter succinctly describing bluntly in your honest-to-goodness, straightforward style, e.g., what does the government need to do as well as the law-abiding denizens in Pakistan (systemically dehumanized by alien or fiendlike Rule of Low and Law off Rulers, though with no signs of Rule of Law in sight) over last five thousand years (and their Sing Along With Mitch cutlery, chumcha cha cha!) in Pakistan. Now that the Land of the Pure (and helluva halva) has become not only a failed state, but also plundered, oppressed, almost bankrupted, and a Terrorist® state. Gone with the Raiwind are the good old days and inbetweenties glimpsing any semblance/dynamics of wisdom or micro-iota regarding Values or Vision. The Hyperbole and intimate Manage a Trois are very-very ‘In’.
Rather remarkably – in between the lines — your book reads like art criticism. Moreover, no civilization has ever flourished progressively without first excelling in arts. Within the unfortunate State of Pakistan the ubiquitous coterie of nouveau riche/ deep-pocket riffraff and semi-illiterate politicians (rudderless + ruthlessly on-the-take) compounded by rabid bureaucrats (low-ranking Machiavellis) are instead coyly dismantling what is left of Pakistan. One in PTI/ one in ML(N)/ one Independent Syndrome. Jinnah must be turning in his grave. Right now we encounter déjà vu of 1999 when forex reserves were miserably down to $400 millions, that too S.O.S-borrowed at exorbitantly high commercial rates. Please propose what needs to be done. I will, in deeds, state of art illustrate it !!!
As your former GCL classmate and causa honoris fan, I ought to mention two item thoughts. ZAB (a poet-of-politics deserving criticism in the Surah 26 : 226 Sense) actually was not all that ‘not-corrupt’. When Bhutto visited my Studio (or Clinic for the Sake of AesthE T H I C S) in Central Park West (at the Mayflower) or later in Beekman Place, NYC 21 , I humbly pontificated that bigotry must not be encouraged by anyone whatsoever, i.e., no one may designate/label or even subliminally belittle any other person’s faith, nor tempt invidious exodus or determine their faith or stigmatize any school of thought. By Officially (draconically) branding the Ahmadis as ‘non-Muslims®’. He acted disgracefully and unleashed a palpable Pandora box mix for our vintage/ perverse (perhaps even worse) halala-smitten/happy Mullah, Moolah and Mega- Mediocrity in order to exploit and plunder. Now chickens are coming home for roasting up Shias. God mentions in the Holy Koran that on the day of Judgment He will judge everyone in accordance with his faith. So Culprits cannot escape exemplary punishment.
Moreover, Bhutto used to boast before his Sitting Ducks that he manifested two personas (euphoria of split personality, I presume); one private (seductive actresses + Invigorated Rooh-e Afzaa + surreptitious verbal ‘marriage’ with Ravishing Husna Sheikh — where is the Bengal Beauty?? = la dolce vita a la mode at State-with-dwindling-resources expense account), and The Other his (illusionary) public (= commercial) personage (Roti, Kappra, Aur Makkan + phony “Liend Reforms” phantom/hype).
During 1969 (when he invited Dr. Zafar Aziz Khan and me), I asked him point-blank why await becoming the PM to implement his promised and worthy ‘Land’-Reforms, why not initiate and functionalize/fructify that very day since charity and all good deeds (like justice) begin with home, however, I would simultaneously join him, donate all my existing resources, I am a bit short of being a Kuwaiti Currency Billionaire, I must admit, ‘how short’ is my Tashkent $ecret) : he responded that he had a family to support and I retorted on the spot to his sudden surprise: ‘But; everyone is suffering from that dis-ease’. It turned him pinkier! He become fidgety. Dr. ZAK graciously walked out on him along with me from the debilitated Falettis which was ruining itself after The Oberoi Family had to leave.
“The Tashkent Secret” (another Bhutto Bluff!) simply was that we triumphantly lost that war too. Mein ne dekha: also as a citizen of the global village, I felt very sorry for the Motherland, Raftarr Tez Haey – - mugger Suffer ahissta-ahissta. The cutting-edge bottom-line is that actually, soon after that Bhutto (albeit innocent Yatra), Janab A.K. Brohi, To err is human, confided to me that Bhutto would not win a single seat even from native Sindh..
Since the Dacca (double entendre , it also means dacoiting in my Penglish) Marrowing of l971, over 300 billion dollars have been money-laundered illicitly out to offshore havens as sacrosanct nest-eggs. Although I strongly oppose Death Penalty in present day Just Ice Pakistan, as an exception to the rule I humbly favour brutal public hangings of economic Fitna-Fasaad caterers per the Commandment of God. Caliph Hazrat Omer, RA condemned hypocrisy as the worst of sins and calibrated that one who appeases in a wrong is far worse than the wrong-monger.
Our present day role model Prime Munster, Haji Sir Nawaz SharrrrReef’s (HonGCMG 1997 violating Art. 254) two sons have already proudly become British citizens with Right of Abode which re-minds me the brilliant obiter dicta that MohtrimA Meena Kumari (born in Mitha Tiwana, District KhushAAB = Good Waters off of the Chenab River ) lisped in the playback surroundsound of Lata Mangheshkar: Innhi loggounn ne lay liyya dupatta mera…
Also there exists a lucid, tell-tale Urdu lyric (ghazzal), ahead of its time (as is all art) narrating requiem for ZAB during his own lifetime, by the greatest poet of the XX century (albeit from Montgomery), Munir Niazi, RA. I will appreciate your corrective views about the aforesaid aspects of some burning issues which are of burgeoning incendiary concern to the common, law-abiding citizenry of Pakistan who find themselves Iraq and a hard placebo.
We are posting this article by Ahmad Rafay Alam originally published in daily Dawn. In this article, Alam critically evaluates judicial proceedings with respect to the Lahore Canal Road project. The writer urges the government not to squander the heritage of the city for the “.. Canal Heritage Park is part of the Lahori psyche, as much as the Walled City, the Shalimar Gardens or halva puri. Civil Society must understand that as long as the city grows, pressures to sacrifice our heritage must be forever guarded against. The battle is and will remain ongoing…”
Before parting with this judgment, we would like to acknowledge the admirable spirit demonstrated by petitioners’ organization, by those individuals, architects, urban planners, academics and students for protection of city’s ecological and environmental horizons. During hearing of this case, the Court was touched by the rainbow of idealism, of intellect, of architectural ability, of urban development and mental health expertise of graces and youthful exuberance… As long as this spirit is alive, we are sanguine, the authorities and the leadership would continue to be guided by the values of sustainable human and urban development.
— Justice Tassaduq Hussain Jillani, in SMC No. 25 of 2009
Following the September 2011 decision of the Supreme Court of Pakistan in Lahore Canal Road widening case (SMC No. 25 of 2009), the Government of Punjab wasted no time in cutting down trees to widen the road along the green belt for a stretch of the Lahore Canal. Many could be forgiven in thinking there was little other in the judgment of the Court, but they would be wrong. The widening of a limited stretch of road along the Lahore Canal was only one of 10 directions the Court had given. The first was that the entire length of the Lahore Canal and its green belt “shall be treated as a Heritage Urban Park forthwith and declared so by an Act to be passed by the Assembly…”The Punjab Assembly’s Standing Committee on Housing, Urban Development and Public Health Engineering held hearings in December 2012 where representatives of the Lahore Conservation Society, Lahore Bachao Tehreek and WWF-Pakistan provided input to the draft legislation prepared by the Government of Punjab. Although the law was being prepared in pursuance of the Court’s judgment, there were reservations against the draft, which allowed the Government of Punjab carte blanche, especially on the controversial issue of more infrastructure development along the Canal. Despite these reservations, the Lahore Canal Heritage Park Act, 2013 was passed on 14 January 2013, making it the first urban and heritage park legislation in Pakistan (other parks are protected by notification). It is also a major success for civil society in Lahore and Pakistan. How often can a civil society movement anywhere lay claim to have traversed the full spectrum of activism: from protest and advocacy to legislation and policy?
The preamble to the Act provides “Whereas the Lahore canal and the green belts on both sides of the canal is a public trust and is part of the heritage of the city of Lahore; therefore, it is expedient to make provisions for the maintenance of a salubrious environment and conservation of the Lahore Canal as a heritage park; to preserve the flora and fauna of this heritage park; and to provide for ancillary matters.” The maintenance of the Heritage Park has been made the responsibility of the Parks and Horticulture Authority and an Advisory Committee established to advise the PHA on upkeep and maintenance.
The Act prohibits the construction on infrastructure, felling or damage of or to trees, pollution of water, hunting and use of firearms in the Heritage Park, but allows the PHA to give permission to any of these prohibited acts provided a list of criterion are met.
The Advisory Committee comprises nominees of government departments and civil society. The membership of the Advisory Committee was designed to ensure continuing civil society participation in decisions that would affect the Lahore Canal. However, by allowing the PHA the power to override the decisions of the Advisory Committee, the Act fails to properly value this participation.
The Advisory Committee has so far met thrice and has proposed rules of procedure for itself, has directed the delineation of the boundaries of the Heritage Park and is planning a tree master plan for the park. Once its rules of procedure are set, the Advisory Committee will be in a position to undertake initiatives in the Heritage Park.
What has been surprising was the request, recently made at the 3rd meeting of the Advisory Committee, to consider a proposal for additional road-widening and three U-turns along the Canal. The Committee was told such an initiative would improve traffic congestion. However, I have my doubts. If the road widening of last year now requires another Rs. 400 million of infrastructure to “reduce traffic congestion” and Lahore still does not have a traffic or urban Master Plan, then there is grave risk that an ad-hoc initiative will be at the cost of legally protected heritage.
Civil Society must understand that the growth and development of Lahore will forever remain ongoing. What is important is that we give back to the city something that our children and their children can hold as heritage. The Canal Heritage Park is part of the Lahori psyche, as much as the Walled City, the Shalimar Gardens or halva puri. Civil Society must understand that as long as the city grows, pressures to sacrifice our heritage must be forever guarded against. The battle is and will remain ongoing.
The writer is a partner at Saleem, Alam & Company, and member of the Lahore Canal Heritage Park Committee
We are cross posting this excellent piece by Salman Rashid:
I was telling a relative of mine about the one dozen different species of birds that nest in my garden (and it’s a one-kanal house) and at any given time the song of twice as many species. He, a retired judge of the superior court, living in Judicial Colony near Thokar Niaz Beg was surprised that there was a total absence of birdsong in their area.
The battle for Pakistan’s identity is playing out in Lahore’s streets and – oddly, on its thoroughfares and intersections. On 23rd March, this year, a group of civil society representatives gathered at Lahore’s Shadman Chowk to commemorate the 82nd death anniversary of Bhagat Singh, a Sikh freedom fighter renowned for his revolutionary struggle as part of the independence movement, and who became stuff of legend when he was hanged by the British in 1931 after a brief but eventful insurrection against colonial rule. The gathering, however, was disrupted by members of a religious group which was holding a protest aimed at denouncing the idea of renaming the chowk after Bhagat Singh, simultaneously.
The chowk and the adjacent area used to be Lahore’s central jail during the British Raj, and Bhagat Singh is believed to have been hanged at the site of what is now Shadman Chowk.
Late last year, a group of Lahoris made progress in getting local officials to rename a busy traffic circle for Bhagat Singh, a Sikh revolutionary who. They see it as a chance to honor a local hero who they feel transcends the ethnic and sectarian tensions gripping the country today — and also as an important test of the boundaries of inclusiveness here.
But in the Islamic Republic of Pakistan, questions of religious identity also become issues of patriotism, and the effort has raised alarm bells among conservatives and Islamists. The circle was named in 2010 for Chaudhry Rehmat Ali, a Muslim student who coined the name Pakistan in the 1930s, and there was an outcry at the news that it might be renamed for a non-Muslim.
“If a few people decide one day that the name has to be changed, why should the voice of the majority be ignored?” asked Zahid Butt, the head of a neighborhood business association here and a leader of the effort to block the renaming.
The fight over the traffic circle — which, when they are pressed, locals usually just call Shadman Circle, after the surrounding neighborhood — has become a showcase battle in a wider ideological war over nomenclature and identity here and in other Pakistani cities.
Although many of Lahore’s prominent buildings are named for non-Muslims, there has been a growing effort to “Islamize” the city’s architecture and landmarks, critics of the trend say. In that light, the effort to rename the circle for Mr. Singh becomes a cultural counteroffensive.
“Since the ’80s, the days of the dictator Gen. Zia ul-Haq, there has been an effort that everything should be Islamized — like the Mall should be called M. A. Jinnah Road,” said Taimur Rahman, a musician and academic from Lahore, referring to one of the city’s central roads and to the country’s founder. “They do not want to acknowledge that other people, from different religions, also lived here in the past.”
A recent nationwide surge in deadly attacks against religious minorities, particularly against Ahmadi and Hazara Shiites, has again put a debate over tolerance on the national agenda. Though most Sikhs fled Pakistan soon after the partition from India in 1947, the fight over whether to honor a member of that minority publicly bears closely on the headlines for many.
A push to honor Mr. Singh has been going on here for years. But it was not until the annual remembrance of his birth in September that things came to a head. A candlelight demonstration to support renaming the traffic circle had an effect, and a senior district official agreed to start the process. As part of it, he asked the public to come forward with any objections. The complaints started pouring in.
Traders of Shadman Market, the local trade group led by Mr. Butt, threatened a strike. Chillingly, warnings against the move were issued by leaders of the Islamic aid group Jamaat-ud-Dawa, largely believed to be a front for the militant group Lashkar-e-Taiba. Clerics voiced their opposition during Friday Prayer.
The issue quickly became a case for the city’s High Court, which said it would deliberate on a petition, initiated by Mr. Butt and a coalition of religious conservatives, to block the name change. That was in November, and the case still awaits a hearing date. The provincial government has remained in tiptoe mode ever since. “It is a very delicate matter,” said Ajaz Anwar, an art historian and painter who is the vice chairman of a civic committee that is managing the renaming process.
Mr. Anwar said some committee members had proposed a compromise: renaming the circle after Habib Jalib, a widely popular postindependence poet. That move has been rejected out of hand by pro-Singh campaigners.
Mr. Rahman and other advocates for renaming the circle paint it as a test of resistance to intolerance and extremism, and they consider the government and much of Lahore society to have failed it.
“The government’s defense in the court has been very halfhearted,” said Yasser Latif Hamdani, a lawyer representing the activists. “The government lawyer did not even present his case during earlier court proceedings.”
The controversy threatens to become violent. On March 23, the anniversary of Mr. Singh’s death, police officers had to break up a heated exchange between opposing groups at the circle.
Mr. Rahman and the other supporters have vowed to continue fighting, saying it has become a war over who gets to own Pakistan’s history.
“There is a complete historical amnesia and black hole regarding the independence struggle from the British,” Mr. Rahman said, adding of the Islamists, “They want all memories to evaporate.”
Iqbal Hussain’s new work reveals a darkly poignant preoccupation with death, an artistic crisis born of the violence in our midst. But this work may yet survive the changing cultural topography of Pakistan, says Raza Rumi
Being stuck in an awful traffic jam on Lahore’s Mall Road is an everlasting nightmare. This was the road which once housed the tempestuous and famously poly-amorous painter Amrita Shergil, as well as the grand old man of Indian writing in English, the legendary Khushwant Sigh, among other lost symbols of our bygone past. But mine was not a fruitless journey: I was heading to the Zahoor ul Akhlaq Gallery at the National College of Arts (NCA), where Iqbal Hussain’s new work was being displayed. I would not hav e gone to see this exhibition had I not heard about the significance of the show from the proficient curator of the gallery Qudsia Raheem. I liked to meet Iqbal Hussain in the throes of the walled city where he has reinvented a space for himself among his own people — entertainers, artists, traders, sex workers and a multitude of local and global visitors. Iqbal Hussain has been successful through his personal endeavors to put Lahore’s old city and its infamous red light district on the world map. He has achieved this primarily through his stupendous paintings and sublime rooftop views of Mughal monuments from the Cooco’s Den Café he owns and manages.
Iqbal Hussain’s work over the decades has brought to life the shades and aspects of sex workers from Heera Mandi around whom Hussain grew up. Most importantly, he is proud of his heritage and origins and, unlike the hypocritical and self-denying society in which he lives, he has publicly claimed ownership of this background. His work has obsessively captured the many narratives about the women who are central to Heera Mandi. In doing this, Hussain has humanized the portraits of the “dancing girl”, the aging prostitute and the honorable livelihood earner. Contrary to the religious decrees on such women, or the excessive romanticization of dancing girls in our culture, Hussain’s subjects are nothing but human. They are real and vulnerable while blessed with the ability to sing, dance and celebrate life and sex. In our socially conservative culture, made even more so since the advent of Victorian values in what was then British India, such characters have been the recipients of much derision. Hussain, through his momentous collection of paintings, has countered every stereotype and cliché that comes to mind about such women. Continue reading
Recently, I came back from a month long trip to Lahore – the culinary capital of Pakistan.
Lahore, has a wide variety of cuisine, from fancy upscale Italian restaurants to the simple Pakistani village food and everything in between.
A few tips for those of you who may be traveling to Pakistan soon:
1. Get Your Shots – Before you Travel (Currently Hepatitis A, Typhoid, Polio and Malaria are the main diseases in Pakistan)
2. Don’t Drink The Water – unless it’s Bottled and Sealed (Nestle PureLife is the most reliable brand)
3. Don’t Eat Street Food – unless it is fried up, steaming hot, or cooked well done! Avoid eating anything cold or something made with water.
If you follow those 3 simple rules, you should be fine and not get sick!
Below is a short slideshow of my trip through “Foodistan” aka Lahore this past February. I hope you enjoy the pictures, as much as I enjoyed eating all the delicious food:)!
I am cross posting my piece here.
Lahore, the ancient city of Loh, the age-old halt for invaders, is also the home to eclectic Sufis. Men and women who shed conventions and discovered newer planes of spirituality found a home in this city. The merging of centuries’ old Indus valley bastion – the Punjab and its primordial language – with core strands of Islamic Sufism was a unique moment in South Asia’s cultural evolution. And, no one can better represent the composite soul of Lahore than its poet and Sufi master Shah Hussain, whose identity has forever fused with his Hindu disciple Madhu Lal. Those who seek Lahore’s Mela Chiraghaan or Festival of Lights still frequent the 16th century shrine of Madhu Lal Hussain.
Shah Hussain’s father, Shaykh Usman, was a loom weaver, and his grandfather Kaljas Rai (Kalsarai) was a convert to Islam who gained the confidence of the state during the reign of Emperor Firoz Shah Tughlaq. Shah Hussain Lahori was born in 1538 AD near Taxali Gate, Lahore. His early religious education was followed by induction into the Qadiriya order by Hazrat Bahlul Daryavi at a very young age. As a devout Muslim in his early years, he gained a formal outward knowledge and imbibed the spiritual moorings of Lahore, including the blessings of Hazrat Usman Ali Hajvery, aka Data Saheb, whose shrine has guided scores of saints, fakirs and yogis for nearly a millennium.
Read the full post here
By Gohar Sadaf Qureshi
Missing Lahore and the years there.
years had been from home,
And now, before the door,
I dared not open, lest a face
I never saw before
Stare vacant into mine
And ask my business there.
My business, — just a life I left,
Was such still dwelling there?
Photo by Saad Alvie
By Raza Rumi:
I am grateful to Naeem Ahsan Jamil for sending more old pictures of Lahore from his private collection.
We invite the readers to identify the landmarks and buildings that are captured in the above photograph. Lahore remains the most beautiful city and in the 1930s it was surely a splendour!
(left) SELF=PORTRAIT WON [l972-2000]: ‘SADDENED MONA LISA SWEATING ( PASEENA-PASEENA) IN THE SHALIMAR GARDENS ON HER RECENT LAHORE YATRA - – (she is not a young debutante, anymore) – - , AND NOTHING TO BE HAPPY ABOUT GEOFFREY’S MOTHERLAND being drained per LAW OFF RULERS AND THEIR CUTLERY: OIL AND MIXED MEDIA, 3-D+ RELIEF; (SCULPTURAL ARTWORK MADE WITH FIBREGLASS ON PLEXIGLASS). SIZE 25 inches X 20 ½ inches.
Art of, and for, Syyed Iqbal Geoffrey – - he being a genuine mussawere (artist) and a prominent vakil ( facilitator of justice-with-love) acclaimed by Sir Herbert Read as an “Astonishing Phenomenon” and Her Majesty Queen Elizabeth II has graciously described him as “The Arts Counsel of Great Britain - – is not a born-again outlet or some glittering outage chamaking (shinning on a Cash ‘N Carry basis) in Neverneverland. (References : Zoha Noor-Fatima A. Haider (London)* & Suellen W. Liker (Phoenix)**
(above: SELF=PORTRAIT TOO [1962-2012] : “HER MAJESTY THE QUEEN WITNESSING THE FIRST DROP OF DEW FALLING ON INDIGENOUS MAN’GO!!” oil and mixed media on cardboard-canvas; size 47 inches x 27 inches .. current token price PRs 78600.92P. (may not be acquired at this important stage of its creation by any foreigner). Subject to increases with notice.)
Akbari Gate of walled city of Lahore. This gate exists no more. This pic was taken in 1962 by an unknown photographer.
Posted by: Shiraz Hassan
By Haroon Khalid Just 2 days after the 3 days annual urs celebration at the Bibiyan Pak Daman, attended but hundreds of thousands of devotees, Shiias and Sunnis alike, I visited the shrine. The entire atmosphere suffered from a collective … Continue reading
he Lawrence and Montgomery Halls in Lahore as photographed by James Craddock in the 1860s. The caption states “Two large Halls for public meetings built by subscription in honour of Sir John (now Lord) Lawrence and Sir Robert Montgomery. The latter is almost the finest room in India & is used for all the state durbars and Senate meetings, etc. The great ball to the Duke of Edinburgh was in this Hall.” Sir John Lawrence was first Chief Commissioner and Lt. Governor of the Punjab (1853-59) and went on to become Viceroy of India. Robert Montgomery was second Lt. Governor of the Punjab (1859-65). Sir Lawrence played a crucial role during the First War of Independence in 1857 by assuring the supply of troops from Punjab to Delhi. The neoclassical look of the halls was meant to inspire awe in the locals and reaffirm colonial authority after the war. The halls are now being used as the Quaid e Azam Library.
Photo Credit: http://www.thefridaytimes.com/beta2/tft/article.php?issue=20111104&page=30
Artist: Faisal Rana ft. Deep Singh
Song: Dus Sharabiya
Dus Sharabiya is international collaboration between Pakistani artist Faisal Rana and Indian artist Deep Singh. Dus Sharabiya is about Lahore, even we would call Dus Sharabiya, ‘The Song Of Lahore’